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Miklos Rozsa: He Made Film Noir Sing - http://www.writing.upenn.edu/~afilreis/50s/rozsa-miklos-noir.html
Evaluation of his work in the genre during the 1950s, including Double Indemnity, The Lost Weekend, The Naked City, and The Asphalt Jungle. |
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Miklós Rózsa - http://us.imdb.com/name/nm0000067/
Filmography at IMDb including biography, composer, conductor, musical director, and actor credits, awards and nominations, and links. |
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Miklos Rozsa - film composer - http://www.mfiles.co.uk/Composers/Miklos-Rozsa.htm
This is the mfiles page for composer Miklos Rozsa, with career overview, soundtrack reviews and links to related composers. |
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Miklos Rozsa - http://www.sospeso.com/contents/composers_artists/rozsa.html
Picture and biography from The Ensemble Sospeso's 2000 performance at Lincoln Center. Includes extended quotes from the composer |
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Miklós Rózsa - http://www.americancomposers.org/raksin_rozsa.htm
Insightful biography and reminiscence from the American Composers Orchestra series David Raksin Remembers His Colleagues. |
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Miklos Rozsa: Complete Works for Solo Piano - http://www.newmusicon.org/v7n4/cleary4.html
CD review by David Cleary delves into some of his non-film compositions. |
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Miklós Rózsa in Toronto and Hamilton - http://www.mjq.net/rozsa/
Details of 1977 Ontario Film Institute including several photographs. Notes the composer's thoughts--not all flattering--about a number of contemporaries. |
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Miklós Rózsa and The Thief of Bagdad - http://www.powell-pressburger.org/Reviews/40_Thief/Thief06.html
Autobiographical account of the development of the score and various back stories, trials, and struggles. Illustrated with portraits, copies of letters, newspaper articles, and scenes from the film. |
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Miklós Rózsa at M-G-M - http://www.filmtracks.com/titles/rozsa_mgm.html
Review of CD covering highlights of his time with Metro-Goldwyn-Mayer. Notes similarities between his film and non-film work. |
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Rózsa: Film Scores - http://www.classical.net/music/recs/reviews/e/emi65993a.html
Classical Net review of the CD in 1998. Talks about his place among modern composers, his use of the theremin, and evaluates the various works on the disk. |