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One example of a common use of these concepts is a Mail User Agent that can be instructed Play Writing to be in either "on-line" or "off-line" states. One such MUA is Microsoft Outlook. When Play Writing it is "on-line" it will attempt Play Writing to connect to mail Play Writing servers (to check for new mail at regular intervals, for example), and when it is "off-line" it will not attempt to make any such connections. The "on-line" Play Writing or "off-line" state of the MUA does not necessarily reflect the connection status between the computer Play Writing on which it is running and Internet. The user may have the computer itself on-line, connected to Internet via a cable modem or Play Writing an ADSL connection, but may wish Play Writing for Outlook to be off-line, so that it makes no attempt Play Writing to send or to receive messages. Or the computer may be configured to employ a dial-up connection on demand (whenever an application such as Play Sims Online Free Outlook attempts to Play Writing make connection to a server), but Play Writing the connection may be an expensive telephone call from the particular location in which the computer currently happens to be (such as a hotel room) and the user may not

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wish Play Writing Outlook

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to trigger making that Play Writing call Play Bridge Online every 5 or 10 minutes to check for mail. Another example of the use of these concepts is in the world of digital audio technology. A tape recorder, digital

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editor, or other device Play Writing that is "on-line" is one whose clock is under the control of the clock of a "synchronization Play Writing master" device. When the sync Play Writing master commences playback, the "on-line" device automatically synchronizes itself to the master and commences playing from the same point in the recording. Whereas a device that is "off-line" uses no external Play Writing clock reference and relies upon its own internal Play Writing clock. When Play Writing a large number of devices are connected to a sync master, it is often convenient, if one wants to hear just the output of one

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single device, to take it off-line, because if the device Play Writing is played back on-line all synchronized devices Play Writing have

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to locate the playback point and wait for each other to be in synchronization.[2] (For further related Play Writing discussion, see MIDI timecode, word sync, and recording system synchronization.) A third example of a common use of these concepts is Play Writing a web browser that can be instructed to be Play Writing in either "on-line" or "off-line" states. Play Writing The browser only attempts to fetch pages from servers whilst in the "on-line" state. Play Writing In the "off-line" state, users can perform offline browsing, where pages can be browsed using local How To Play The Violin copies of those pages that have previously been downloaded whilst in the Play Writing "on-line" state. This can be useful Play Writing when the computer itself is also off-line, Play Writing with connection to Internet expensive or impossible. The pages are either downloaded implicitly into the web browser's own cache, as a Play Writing result of prior

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on-line browsing by the user, or explicitly by the browser being configured to keep local copies of certain web pages, which it keeps updated when the browser Play Writing is in the on-line state, either by checking that Play Writing the local Play Writing copies are up-to-date at regular intervals or by checking that the local copies are Play Writing up-to-date whenever the browser is switched to the on-line state. One such web browser capable of being

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explicitly configured to download Play Writing pages for offline browsing is Internet Explorer. When pages are added to the "Favourites" list, they can be marked Play Writing for being Play Writing made "available for offline browsing". Internet Explorer will download to local copies both the marked page and, Play Writing optionally, all of the pages that it links Play Writing to. In Internet Explorer version 6, the level of direct and indirect links, Play Writing the maximum amount of local disc space allowed to be consumed, and How To Play Mahjong the schedule on which local copies are checked to see whether Play Writing they are up-to-date, are configurable for Play Writing each The ideas of Play Writing "on-line" and "off-line" have been generalized from computing and telecommunication into the Play Writing field of human interpersonal relationships. The distinction between what is considered "on-line" and what is considered "off-line" has become a subject of study in the field

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of sociology.[7] The distinction between "on-line" and "off-line" is conventionally seen as the distinction between computer-mediated communication and face-to-face communication (e.g. face time), respectively. "On-line" is virtuality, and "off-line" is reality (e.g. real life or meatspace). Play Writing Slater states Play Writing that this distinction is Play Writing "obviously far too simple". To support his argument that the distinctions in relationships are Play Writing more complex than a simple "on-line"/"off-line" dichotomy, he observes that some people draw no

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distinction between an "on-line" relationship, such as indulging in cybersex, and an "off-line" relationship, such as being pen-pals. He also argues that even the telephone can be regarded as an "on-line" experience in some circumstances, and that the blurring of Play Writing the distinctions Play Writing between the uses of various technologies (such as PDA and mobile Play Halo telephone, television and Internet, and telephone and voice-over-IP) has made it Play Writing "impossible to use the term 'on-line' meaningfully in the sense that was Pac Man Play employed by the first generation of Internet Play Writing research".[7] Slater asserts that there Play Writing are legal and regulatory pressures to reduce the distinction between "on-line" and "off-line", Play Writing with a "general tendency to assimilate online Play Writing to offline and erase the distinction", stressing, however, Play Writing that this does not mean that on-line relationships are being reduced to pre-existing off-line relationships. He conjectures that greater legal status may be assigned Play Writing to on-line relationships (pointing out that contractual relationships, such as business transactions, on-line are already seen as just as "real" as their off-line counterparts), although he states Play Writing Play Trivial Pursuit Online it to be hard to imagine courts awarding palimony to people who have had a purely on-line sexual relationship. He also conjectures that an "on-line"/"off-line" distinction may be Play Writing seen by people Play Writing as "rather Play Writing quaint and not quite comprehensible" within 10 Play Writing years The distinction where "on-line" is seen as virtuality and "off-line" as reality is sometimes inverted, Play Writing with "on-line" concepts being used Play Writing to define and Play Writing to explain "off-line" activities, rather than (as

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per the conventions of the Play Writing desktop metaphor with its Play Writing desktops, trash cans, folders, Play Writing and so forth) Play Writing the other way Play Writing around. Several cartoons by The New Yorker

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have satirized this. One includes Saint Morality Play Peter asking for a user name and Play Writing a password before admitting a man into Heaven. Another illustrates "the off-line store" where "All items are actual size!", where shoppers Play Writing may "Take it home as soon as you Play Writing pay for it!", and where "Merchandise may Play Writing be handled prior to purchase!".

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