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musical material, or composition, as held Music Html in western classical music. Music Html Even when music is notated precisely, there are still many decisions that a performer has to make. The process of a performer deciding how to Music Html perform music that has been previously composed and notated is termed interpretation. Different performers' Music Html interpretations of the same music can vary widely. Composers and song writers who Music Html present their own Music Html music are interpreting, just as much as those who perform the music of others or folk music.

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The standard body of choices and techniques present

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at a given Music Html time and a Music Html given place is referred to Music Html as performance practice, where as Music Html interpretation is generally used to mean either individual choices of a performer, or an aspect of music Music Html which is not clear, and therefore has a "standard" interpretation. In some musical genres, such as jazz and blues, even more Music Html freedom is given to the performer to engage in improvisation on a basic melodic, harmonic, or rhythmic framework. The greatest latitude Music Html is given to Music Html the performer in a style Music Html of performing called free improvisation, which is material

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that is spontaneously "thought of" Music Html (imagined) while being performed, not preconceived. According to the analysis of Georgiana Costescu,[citation needed] improvised music Music Html usually follows stylistic or genre conventions and even "fully composed" includes some freely chosen material. Composition does not always mean the Music Html use of notation, or Music Html the known sole authorship of one individual. Music can also be determined by describing a "process" which may create musical sounds; examples of Music Html this range from wind chimes, through computer programs which select sounds. Music which contains Music Html elements selected by chance is called Aleatoric music, and is associated with such composers as John Cage, Morton Feldman, and Witold Lutoslawski. Musical composition is a term that describes the composition of a piece of Music Html music. Methods of composition vary widely from Music Html one composer to another, however in analysing music all forms � spontaneous, trained, or untrained � are built from elements comprising Music Html a musical piece. Music can be composed for repeated performance or it can be improvised: Music Html composed on the spot. The music can be performed entirely from memory, from a written system of musical notation, Music Html or some combination of both. Study of composition has traditionally been dominated by examination Music Html of methods and practice of Western classical music, but the Music Html definition of composition is broad enough to include spontaneously improvised works like Music Html those of free jazz performers Music Html and African drummers. What is important in understanding the composition of Music Html a piece is singling out its elements. An understanding of music's formal elements can be helpful in deciphering exactly how a piece is constructed. A universal element of music is how sounds occur in time, which is referred to as the rhythm of a piece Music Html of music. When a piece appears to have a changing time-feel, it is considered to be in rubato time, an Italian expression that indicates that the tempo of the piece changes to suit the expressive intent of the performer. Even random placement of random Music Html sounds, which occurs in musical montage, occurs within some kind of time, and thus employs time as a musical element. Notation is the Music Html written expression of music notes and rhythms on paper using symbols. When music is written down, the pitches and rhythm of the music Music Html is notated, along with instructions on how to perform the music. The study of how to read notation involves Music Html music theory, harmony,

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the study of performance practice, and in some cases an understanding of historical performance methods. Written notation varies with style and period of music. In Western Art music, the most Music Html common types of written notation are scores, which include all the music parts Music Html of an Music Html ensemble piece, and parts, which are the music notation for the individual performers or singers. In popular

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music, jazz, and blues, Music Html the standard musical notation Music Html is the lead sheet, Music Html which notates the melody, chords, lyrics Music Html (if it is a vocal piece), and structure of Music Html the music. Scores and parts are also used in popular Music Html music and jazz, particularly in large ensembles such as jazz "big bands." In popular music, guitarists and electric bass players often read music Music Html notated in tablature, which indicates the location of Music Html the notes to be played on Music Html the instrument using a diagram of the Music Html guitar or bass fingerboard. Tabulature was also used in the Baroque era to notate music for the lute, Music Html a stringed, fretted instrument. Notated music is produced as sheet music. To Music Html perform music from notation requires an understanding of both the musical

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style and the performance practice that is associated with a piece of music or Music Html genre. Improvisation is the creation Music Html of spontaneous music. Improvisation is often considered an act of instantaneous composition by composers, where compositional techniques are employed with or without preparation. Music Music Html theory encompasses the nature and mechanics of music. It often involves identifying patterns that govern composers' techniques. In a more detailed sense, music theory Music Html (in the western system) also distills and analyzes the elements of music � rhythm, harmony (harmonic function), melody, Music Html structure, and texture. People who study these properties are known as music theorists. The field Music Html of music cognition involves the study of many aspects of music including how it is processed by listeners. Rather than accepting the standard practices of Music Html analyzing, composing, Music Html and performing music as a given, much research in music cognition seeks instead to uncover the Music Html mental Music Html processes that underlie these practices. Music Html Also, research in the field seeks Music Html to uncover commonalities between the musical traditions of disparate cultures and possible cognitive "constraints" that limit these musical systems. Questions regarding Music Html musical Music Html innateness, and emotional Music Html responses to music are Music Html also Music Html major areas of research in the Music Html field. Deaf people can Music Html experience Music Html music Music Html by feeling the vibrations in their Music Html body, a process which Music Html can be enhanced if the individual holds a resonant, hollow Music Html object. A well-known deaf Music Html musician is the composer Music Html Ludwig van Beethoven, who composed many famous works even after he had completely lost

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his hearing. Recent examples Music Html of deaf musicians include Evelyn Glennie, a highly acclaimed percussionist who has been deaf since age twelve, and Chris Buck, a virtuoso violinist who has lost his hearing. This Music Html is Music Html relevant because it indicates Music Html that music is a deeper cognitive process than Music Html unexamined phrases such as, "pleasing Music Html to the ear" would suggest. Much research in music cognition Music Html seeks to uncover Music Html these complex mental processes involved in listening to music, which may seem intuitively simple, yet are vastly intricate and complex.The music that composers make can be heard Music Html through several Music Html media; the most traditional way is to hear it live, in the presence, or as one of the musicians. Live music can also be Music Html broadcast over the radio, television or the internet. Some musical styles focus on producing Music Html a Music Html sound for a performance, while others focus on producing a recording which mixes together sounds which were never played "live". Recording, even Music Html of styles which are essentially live, often uses the ability to edit and splice Music Html to produce recordings which are considered better than the actual Music Html performance. As talking pictures emerged in the early 20th century, with their prerecorded musical tracks, an increasing number of moviehouse orchestra musicians found themselves out of work.[6] During the Music Html 1920s live Music Html musical performances by orchestras, pianists, and theater organists were common at first-run Music Html theaters[7] With the coming of Music Html the talking motion Music Html pictures, those featured performances were largely eliminated. The AFM took out newspaper advertisements protesting the replacement of live musicians with mechanical playing devices.

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One Music Html 1929 ad that appeared in the Pittsburgh Press features an Music Html image of Music Html a can labeled "Canned Music / Big Noise Brand Music Html / Guaranteed to Produce No Intellectual or Emotional Reaction Whatever" Since legislation introduced to help protect performers, composers, publishers and producers, including the Audio Music Html Home Recording Act of 1992 in the United States, and the 1979 revised Berne Convention Music Html for the Protection of Literary and Artistic Works in the United Kingdom, recordings and live performances have also become more accessible through computers, devices and internet in a form that is commonly Music Html known Music Html as Music Html music-on-demand. In many cultures, there is less Music Html distinction between performing Music Html and listening to music, since virtually everyone is involved in some sort of musical activity, often Music Html communal. In industrialised countries, listening to music through a recorded form, such as sound recording or watching a music video, became more common than experiencing live performance, roughly in the middle of the 20th Music Html century. Sometimes, live performances incorporate prerecorded sounds. For example, a DJ uses disc records for scratching, and some 20th-century works have a solo for an instrument or voice that Music Html is performed along

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with music that is prerecorded onto a tape. Computers and many keyboards can be programmed to produce and Music Html play MIDI music. Audiences can also become performers by participating in Karaoke, an activity of Japanese origin which centres around a device that plays voice-eliminated versions of well-known songs. Most karaoke machines also have video screens that show lyrics to songs being performed; performers can follow the lyrics as they sing over Music Html the instrumental tracks. The advent of the Internet has transformed the experience of music, partly through the increased ease of access to music and the increased choice. Chris Anderson, in his book The Long Tail: Why the future of business Music Html is selling less of more, suggests that while the Music Html economic model Music Html of supply and demand

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describes scarcity, the Internet retail model is based on abundance. Digital storage costs are low, so a company can Music Html afford to Music Html make its Music Html whole inventory available online, giving customers as Music Html much choice as possible. It has thus become economically viable to offer products that very few people are interested Music Html in. Consumers' growing

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awareness of their increased choice results in a closer association between listening tastes and social Music Html identity, and the creation of thousands Music Html of niche markets. Another effect of the Internet arises with online Music Html communities like Youtube and Myspace. Myspace has made social networking with other musicians easier, and greatly facilitates the distribution of one's music. Youtube also has a Free Download Music Video large community of both amateur and Music Html professional musicians who post videos and comments. Professional musicians also use Youtube as a free publisher of promotional material. Youtube users, for example, no longer only download Music Html and Music Html listen to mp3s, but also actively create their own. According to Tapscott and Williams, there has been a shift from a traditional consumer role to what they call a "prosumer" role, a consumer who both creates and consumes. Manifestations of this in music The Who Buy Music Dvd include the production of mashes, remixes, and music videos by fans.

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