One example of a common use of these concepts is a Mail User Agent that can be instructed Who Wrote The Play Ruby Moon to be in either "on-line" or "off-line" states. One such MUA is Microsoft Outlook. When it is "on-line" it will attempt to connect to mail servers (to check for new mail at regular intervals, Who Wrote The Play Ruby Moon for example), and when it is "off-line" it will not attempt Who Wrote The Play Ruby Moon to make any such connections. Who Wrote The Play Ruby Moon The "on-line" or "off-line" state of Who Wrote The Play Ruby Moon the Who Wrote The Play Ruby Moon MUA does not necessarily reflect the Who Wrote The Play Ruby Moon connection status between the computer on which Who Wrote The Play Ruby Moon it is running and Internet. The user may have the computer itself on-line, connected to Internet via a cable modem or an Who Wrote The Play Ruby Moon ADSL connection, but may wish for Outlook to be off-line, so that it makes no attempt to send or to receive messages. Or the computer may be configured to employ Who Wrote The Play Ruby Moon a dial-up connection on demand (whenever an application such as Outlook attempts to make connection to a server), but the connection may be an expensive Who Wrote The Play Ruby Moon telephone call from the particular location in which Who Wrote The Play Ruby Moon the computer currently happens to be (such as a Who Wrote The Play Ruby Moon hotel Who Wrote The Play Ruby Moon room) and the user may not wish Outlook to trigger Who Wrote The Play Ruby Moon making that call Who Wrote The Play Ruby Moon every 5 Who Wrote The Play Ruby Moon or 10 minutes to check A Soldier S Play for mail.
Another example of the use of Who Wrote The Play Ruby Moon these concepts is in the world of digital audio technology. A tape Who Wrote The Play Ruby Moon recorder, digital editor, or other device that is Who Wrote The Play Ruby Moon Play Bouy Pontoon Boat Seats "on-line" is one whose clock is under the control of the clock of a "synchronization master" device. When Who Wrote The Play Ruby Moon the sync master commences playback, the "on-line" device automatically synchronizes itself to the master and commences playing from the same point in the recording. Who Wrote The Play Ruby Moon Whereas a device that Who Wrote The Play Ruby Moon is "off-line" Who Wrote The Play Ruby Moon uses no external clock reference and relies upon its own internal clock. When a large number of devices are connected to a sync master, it is often convenient, if one wants to hear Who Wrote The Play Ruby Moon just the output of one single device, to take it off-line, because if the device Play Misty For Me Download is played back on-line all synchronized devices have to locate the playback point and wait Who Wrote The Play Ruby Moon for each other to be in synchronization.[2] Who Wrote The Play Ruby Moon (For further related discussion, see MIDI timecode, word sync, and Who Wrote The Play Ruby Moon recording system synchronization.)
A third example of a common use of these concepts is a Tughlaq Play Summary web browser that can Who Wrote The Play Ruby Moon be instructed to be in either "on-line" or "off-line" Who Wrote The Play Ruby Moon states. The browser only attempts to fetch pages from servers whilst in the "on-line" state. In the "off-line" state, Who Wrote The Play Ruby Moon users Who Wrote The Play Ruby Moon can perform offline browsing, where pages can be browsed Who Wrote The Play Ruby Moon using local copies of those pages that have previously been downloaded whilst in the "on-line" state. This Who Wrote The Play Ruby Moon can be useful when the computer itself is Gay Play Dads also off-line, with Who Wrote The Play Ruby Moon connection to Internet expensive or Who Wrote The Play Ruby Moon impossible. The pages are either downloaded implicitly into Who Wrote The Play Ruby Moon the web browser's own cache, Who Wrote The Play Ruby Moon as a result of Building A Play House prior on-line browsing by the user, or explicitly by the Who Wrote The Play Ruby Moon browser being configured to keep local copies of certain Who Wrote The Play Ruby Moon web pages, which it keeps updated when the browser is in the on-line state, either by checking that the local copies are up-to-date at regular intervals or by checking that the local copies are up-to-date whenever the browser Who Wrote The Play Ruby Moon is switched Who Wrote The Play Ruby Moon to the on-line state. One such Who Wrote The Play Ruby Moon web browser Who Wrote The Play Ruby Moon capable of being explicitly configured Who Wrote The Play Ruby Moon to download Who Wrote The Play Ruby Moon pages for offline browsing is Who Wrote The Play Ruby Moon Internet Explorer. Who Wrote The Play Ruby Moon When pages are added to the "Favourites" list, they can Who Wrote The Play Ruby Moon be marked for being made "available for offline browsing". Internet Explorer will download to local copies both the marked page and, optionally, all of the Who Wrote The Play Ruby Moon pages that Who Wrote The Play Ruby Moon it links to. In Internet Explorer version 6, the level Who Wrote The Play Ruby Moon of direct and indirect links, the maximum Who Wrote The Play Ruby Moon amount of local disc space allowed to be consumed, and the schedule on which local copies are checked to see whether they are up-to-date, are configurable for Who Wrote The Play Ruby Moon each
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The Who Wrote The Play Ruby Moon ideas Who Wrote The Play Ruby Moon of "on-line" and "off-line" Who Wrote The Play Ruby Moon have been generalized from computing Who Wrote The Play Ruby Moon and telecommunication into the field of human interpersonal relationships. The distinction between what is considered "on-line" and what is considered "off-line" has become a subject of study in the field of sociology.[7]
The distinction between "on-line" Who Wrote The Play Ruby Moon and "off-line" Who Wrote The Play Ruby Moon is conventionally seen as the distinction between computer-mediated communication and face-to-face communication (e.g. face time), respectively. "On-line" is virtuality, and "off-line" is reality (e.g. real life or meatspace). Slater states that this distinction Who Wrote The Play Ruby Moon is "obviously far Play The Keyboard too Who Wrote The Play Ruby Moon simple". To support his argument that the distinctions in relationships are more complex than a simple "on-line"/"off-line" dichotomy, he observes that some people Who Wrote The Play Ruby Moon draw no distinction between an "on-line" relationship, such as indulging in Who Wrote The Play Ruby Moon cybersex, and an "off-line" relationship, such as being pen-pals. He Who Wrote The Play Ruby Moon also argues that even the telephone can be regarded as an Who Wrote The Play Ruby Moon "on-line" experience in some circumstances, and that the blurring of the distinctions between the uses of various Who Wrote The Play Ruby Moon technologies (such as PDA and mobile telephone, television and Internet, and telephone and voice-over-IP) has made it "impossible to use the term 'on-line' meaningfully in the sense Play Online Yahoo Spades that was employed by the first Who Wrote The Play Ruby Moon generation of Internet research".[7]
Slater asserts How To Play A Guetar that there are legal and regulatory pressures to reduce the Who Wrote The Play Ruby Moon distinction between "on-line" and "off-line", with a "general tendency to assimilate online to offline and erase the distinction", stressing, however, that this does not mean that on-line relationships are Who Wrote The Play Ruby Moon being reduced to pre-existing off-line relationships. He Who Wrote The Play Ruby Moon conjectures that Play Snes Roms On Psp greater legal status may be assigned to on-line relationships (pointing Who Wrote The Play Ruby Moon out Who Wrote The Play Ruby Moon that contractual relationships, such as business transactions, on-line are already seen as just as "real" as their off-line counterparts), although he states Who Wrote The Play Ruby Moon it to be hard to imagine courts awarding palimony to Who Wrote The Play Ruby Moon people who have had a purely on-line sexual relationship. He also conjectures that an "on-line"/"off-line" distinction may be seen by people as "rather quaint and not Play Magic Free Online quite comprehensible" within 10 Who Wrote The Play Ruby Moon years
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The distinction where "on-line" is seen as virtuality and Who Wrote The Play Ruby Moon "off-line" as reality is sometimes Who Wrote The Play Ruby Moon inverted, with "on-line" concepts being used to define and to explain "off-line" activities, rather than (as per the conventions of the desktop metaphor with its desktops, trash cans, Who Wrote The Play Ruby Moon folders, and so Who Wrote The Play Ruby Moon forth) the other way around. Several cartoons by The New Yorker have satirized Who Wrote The Play Ruby Moon this. One includes Saint Peter asking Who Wrote The Play Ruby Moon for a Ruby Moon Play user Who Wrote The Play Ruby Moon name and a password before admitting Who Wrote The Play Ruby Moon a man into Heaven. Another illustrates "the off-line store" where "All Who Wrote The Play Ruby Moon items are actual size!", where shoppers may "Take it home as soon as you pay for it!", and where "Merchandise may be handled prior to purchase!". |
