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musical material, or composition, as held in western classical music. Even when music is notated precisely, there are still many decisions that a performer has to make. The process of a performer deciding how to perform music that has been previously composed and notated is termed interpretation. Different performers' interpretations of the same music can vary widely. Composers

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and song writers who present their own music are interpreting,

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just as much as those who perform the music of Halo Theme Sheet Music others or folk Halo Theme Sheet Music music. The Halo Theme Sheet Music standard body of choices and techniques present at a given time Halo Theme Sheet Music and Halo Theme Sheet Music a given place is referred to as performance practice, where Halo Theme Sheet Music as interpretation is generally used to mean either individual choices of a performer, or an aspect of music which is not clear, and therefore has a "standard" interpretation. In some musical genres, such as jazz and

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blues, even more freedom is given to the performer to engage in improvisation on a basic melodic, harmonic, or rhythmic framework. The greatest latitude is Halo Theme Sheet Music given to the performer in a style of performing called free improvisation, which Halo Theme Sheet Music is material that Halo Theme Sheet Music is spontaneously "thought of" Halo Theme Sheet Music (imagined) while being performed, not preconceived. According to Halo Theme Sheet Music the analysis of Halo Theme Sheet Music Georgiana Costescu,[citation needed] improvised music usually follows stylistic or genre conventions and even "fully composed" includes some freely chosen material. Composition does not always mean the use of notation, or Halo Theme Sheet Music the known sole authorship of one individual. Music can also be determined by

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describing a "process" which may create musical sounds; examples of this range from wind chimes, through computer programs which select sounds. Music which contains elements selected by chance is called Aleatoric music, and is associated with such composers Halo Theme Sheet Music as John Cage, Morton Feldman, and Witold Lutoslawski. Musical composition is a term that describes the composition of a piece of music. Methods Halo Theme Sheet Music of composition vary widely Halo Theme Sheet Music from one composer to another, however in Halo Theme Sheet Music analysing music all forms Halo Theme Sheet Music � spontaneous, trained, or untrained � are built from elements comprising a Halo Theme Sheet Music musical piece. Music can

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be composed for repeated performance Halo Theme Sheet Music or it can be improvised: composed on the spot. The music can be performed entirely from memory, from a written system of musical notation, or some combination of both. Halo Theme Sheet Music Study of composition has traditionally been dominated by examination of methods and practice of Western classical music, but the definition Halo Theme Sheet Music of Halo Theme Sheet Music composition is broad enough to include spontaneously improvised works like those of free jazz Halo Theme Sheet Music performers Halo Theme Sheet Music and African drummers. What Halo Theme Sheet Music is important in understanding the composition Halo Theme Sheet Music of a piece is singling out its elements. An understanding of music's formal elements can be helpful in deciphering exactly how a piece is Halo Theme Sheet Music constructed. A universal element of music is how sounds occur in time, which is Halo Theme Sheet Music referred to as the rhythm of a piece of music. When a piece appears to have a changing time-feel, it is considered Halo Theme Sheet Music to be in Halo Theme Sheet Music rubato time, an Italian expression that indicates that the tempo of the piece changes

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to suit the expressive intent of the performer. Even random placement of random sounds, which Halo Theme Sheet Music occurs in musical montage, occurs within some kind of time, and thus employs time as a musical element. Notation is the written expression of music notes and rhythms on paper using symbols. Halo Theme Sheet Music When music is written down, the pitches and rhythm of Halo Theme Sheet Music the music

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is notated, along with instructions on how to perform the music. The study of how Halo Theme Sheet Music to read notation involves music theory, harmony, the study of performance practice,

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and in some cases an understanding of historical performance Halo Theme Sheet Music methods. Written notation varies with style and Halo Theme Sheet Music period of music. In Western Halo Theme Sheet Music Art music, the most common types of written notation are scores, which include all the music parts of an ensemble piece, and parts, which are the music notation for the

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individual performers or singers. In popular music, jazz, and blues, the standard musical notation Halo Theme Sheet Music is the Halo Theme Sheet Music lead sheet, which notates the melody, chords, lyrics (if it is a vocal piece), and structure of the music. Scores and parts are also used in popular music and jazz, particularly in large ensembles such as jazz "big bands." In popular Halo Theme Sheet Music music, guitarists and electric bass players often read Halo Theme Sheet Music music notated in Halo Theme Sheet Music tablature, which indicates the location of Halo Theme Sheet Music the notes to be played on the instrument using a diagram of

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the guitar or bass fingerboard. Tabulature was also used Halo Theme Sheet Music in the Baroque era to notate Halo Theme Sheet Music music Halo Theme Sheet Music for the lute, Halo Theme Sheet Music a stringed, fretted instrument. Notated music is produced as sheet music. To perform music from notation requires an understanding of both the musical style and the performance practice that is associated with a piece of music or Halo Theme Sheet Music genre. Improvisation is the creation of spontaneous music. Improvisation is often considered an act Halo Theme Sheet Music of Halo Theme Sheet Music instantaneous composition by composers, where compositional techniques are employed with or without preparation. Music theory encompasses the nature and mechanics of music. It often

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involves identifying patterns that govern composers' techniques. In a more detailed sense, music theory (in the western system) also distills and analyzes the elements of music �

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rhythm, harmony (harmonic function), melody, structure, and Halo Theme Sheet Music texture. People who study these properties are known

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as music theorists. The field of music cognition involves the study of many aspects of music including how it is processed by listeners. Rather than accepting the standard practices of Halo Theme Sheet Music analyzing, composing, and performing music as a given, Halo Theme Sheet Music much research in music cognition Halo Theme Sheet Music seeks Halo Theme Sheet Music instead to uncover the mental Halo Theme Sheet Music processes Halo Theme Sheet Music that underlie these practices. Also, research in the field seeks to uncover commonalities between the musical traditions of disparate cultures and possible cognitive "constraints" Halo Theme Sheet Music that limit these musical systems. Questions regarding musical innateness, and emotional responses to music are also major areas Halo Theme Sheet Music of Halo Theme Sheet Music research in the field. Deaf people can experience

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music by feeling the vibrations in their body, a process which can be Halo Theme Sheet Music enhanced if Halo Theme Sheet Music the individual holds a resonant, hollow object. A well-known deaf musician is Halo Theme Sheet Music the composer Ludwig van Beethoven,

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who composed many famous works even after he had completely lost his hearing. Recent examples of Halo Theme Sheet Music deaf musicians include Evelyn Glennie, a highly acclaimed Halo Theme Sheet Music percussionist Halo Theme Sheet Music who has been deaf since age twelve, and Chris Buck, a

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virtuoso violinist who has lost his hearing. This is relevant because it indicates that music is a deeper cognitive process than unexamined phrases such as, "pleasing to the ear" would suggest. Much research in Halo Theme Sheet Music music cognition seeks to Halo Theme Sheet Music uncover these complex mental processes involved in listening to Halo Theme Sheet Music music, which may seem intuitively simple, yet are vastly intricate Halo Theme Sheet Music and complex.The music Halo Theme Sheet Music that composers make can be heard Halo Theme Sheet Music through several

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media; Halo Theme Sheet Music the most traditional way is to Halo Theme Sheet Music hear it live, Halo Theme Sheet Music in the presence, or as one of the musicians. Live music can Halo Theme Sheet Music also be broadcast over the radio, television or the internet. Some musical styles focus on producing a sound for a performance, while others focus on producing a recording which mixes together sounds which were never played "live". Recording, even of styles which are essentially live, often

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uses the ability to edit and splice to produce recordings which are considered better than Halo Theme Sheet Music the actual performance. As talking pictures emerged Halo Theme Sheet Music in the early 20th century, with their prerecorded musical tracks, an increasing number of moviehouse orchestra musicians found themselves out of work.[6] During the 1920s live musical performances Halo Theme Sheet Music by orchestras,

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pianists, Halo Theme Sheet Music and theater organists were common at first-run theaters[7] With the coming of the talking

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motion pictures, those featured performances were largely eliminated. The AFM took out newspaper advertisements protesting the replacement of live

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musicians with mechanical playing devices. One 1929 ad that appeared in the Pittsburgh Press features an image of a Halo Theme Sheet Music can labeled "Canned Music / Big Noise Brand Halo Theme Sheet Music / Guaranteed to Produce No Intellectual or Emotional Reaction Whatever" Since legislation introduced to help protect performers, composers, publishers and producers, including the Audio Home Recording Halo Theme Sheet Music Act of 1992 in the United States, and the 1979 revised Berne

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Convention Halo Theme Sheet Music for the Protection of Halo Theme Sheet Music Literary and Artistic Works in the United Halo Theme Sheet Music Kingdom, Halo Theme Sheet Music recordings and live performances have also become more accessible through computers, devices and internet Halo Theme Sheet Music in a form that is commonly known as music-on-demand. In many cultures, there is less distinction between performing and listening to music, Halo Theme Sheet Music since Halo Theme Sheet Music virtually everyone is involved in some sort of musical activity, often communal. In industrialised countries, listening to music through a recorded Halo Theme Sheet Music form, such as sound recording or watching a music video, became more common than experiencing live performance, roughly in the middle of the 20th century. Sometimes, live performances incorporate prerecorded sounds. For example, a DJ uses disc records Halo Theme Sheet Music for scratching, and some 20th-century works have a solo for an instrument or voice that is performed along with music that is prerecorded Halo Theme Sheet Music onto a tape. Computers and many keyboards can be programmed to produce and play MIDI music. Audiences can also become performers by participating in Karaoke, an activity of Halo Theme Sheet Music Japanese origin which Halo Theme Sheet Music centres around a device that plays Halo Theme Sheet Music voice-eliminated versions Halo Theme Sheet Music of well-known Halo Theme Sheet Music songs. Most karaoke machines also have video screens that show lyrics to songs being performed; performers can follow the lyrics as they sing over the Halo Theme Sheet Music instrumental tracks. The advent of the Internet has transformed the experience of music, Halo Theme Sheet Music partly through

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the increased ease of access to music and Halo Theme Sheet Music the increased choice. Chris Anderson, in his book The Long Tail: Why the future of business is selling less of more, suggests

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that while the economic model Halo Theme Sheet Music of supply and demand describes scarcity, the Internet retail model is based Halo Theme Sheet Music on abundance. Digital storage costs are low, so a company can

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afford Halo Theme Sheet Music to make Halo Theme Sheet Music its whole inventory available online, giving customers as much Halo Theme Sheet Music choice Halo Theme Sheet Music as possible. It has thus become economically viable to offer products that very few people are interested in. Consumers' growing awareness of their increased choice results in a closer association between listening Halo Theme Sheet Music tastes and social identity, and the creation of thousands of niche markets. Another effect of the Internet Halo Theme Sheet Music arises with online communities like Youtube and Myspace. Myspace has made social

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networking Halo Theme Sheet Music with other musicians easier, and Halo Theme Sheet Music greatly facilitates the distribution of one's music. Youtube also has a large community of both amateur and professional musicians who post videos and comments. Professional musicians also use Youtube as a free publisher of promotional material. Youtube users, for example, no longer only download and listen to mp3s, but also actively create their own. According to Tapscott and Williams, there has been a shift from a traditional consumer role to what they call a "prosumer" role, a consumer who both creates and consumes. Manifestations of this in music include the production Halo Theme Sheet Music of mashes, remixes, and music videos by fans.

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