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musical material, or composition, as held in western classical music. Even when music Wiccan Music is notated precisely, there are still many decisions that a performer has to make. The

Wiccan Music

process Wiccan Music of a Wiccan Music performer deciding how to perform music that has been previously composed and notated is termed interpretation. Different Wiccan Music performers' interpretations of the same music can vary widely. Composers and song writers who present their own music are interpreting, just as much as those who perform the music of others or folk music. The standard body of choices and techniques present at a given time and a Wiccan Music given place Wiccan Music is referred to as performance practice, where as interpretation is generally used to mean either individual choices Wiccan Music of a performer, or Wiccan Music an Wiccan Music aspect of music which is not clear, and therefore has Wiccan Music a "standard" interpretation. In some Wiccan Music musical genres, such as jazz and Wiccan Music blues,

Wiccan Music

even more freedom is given to the performer Wiccan Music to Wiccan Music engage in improvisation Wiccan Music on a basic melodic, harmonic, or rhythmic framework. The greatest latitude is given to the performer in a style Wiccan Music of performing called free improvisation, which is material that is spontaneously "thought of"

Wiccan Music

(imagined) while being performed, not preconceived. According to the analysis of Georgiana Costescu,[citation needed] improvised music usually follows stylistic or genre conventions and even "fully composed" includes some freely

Wiccan Music

chosen material. Composition does not always mean the Wiccan Music use of notation, or the known sole authorship Wiccan Music of one individual. Music can also be determined by describing a "process" which may create Wiccan Music musical sounds; examples of this range Wiccan Music from wind chimes, through computer programs which select sounds. Music which contains elements Wiccan Music selected by chance is called Aleatoric music, and is associated with such composers as John Music Box Company Cage, Wiccan Music Morton Feldman, Wiccan Music and Witold Wiccan Music Lutoslawski. Musical composition is a term that describes the composition of a piece of music. Wiccan Music Methods of composition vary widely from one composer to another, however Wiccan Music in analysing

Wiccan Music

music all forms � spontaneous, trained, or untrained � are built from elements comprising a musical piece. Music can be composed for repeated performance or it can be improvised: composed on the spot. The music can be performed entirely from memory, from a written Wiccan Music system of Wiccan Music musical notation, or some combination of both. Study of composition has

Wiccan Music

traditionally been dominated by Wiccan Music examination of methods and practice Wiccan Music of Western classical music, but the definition of composition is broad enough to include Wiccan Music spontaneously improvised works like those of free jazz performers and African drummers. What is important in understanding Wiccan Music the composition of a piece is singling out its elements. An understanding of music's formal elements can be helpful in deciphering exactly how a piece is constructed. A universal element of music is how sounds Wiccan Music occur in time, which is referred to as the rhythm of a piece of music. When Wiccan Music a Wiccan Music piece appears to have a changing time-feel, it is considered to be in rubato time, an Italian expression that indicates that the tempo of Wiccan Music the piece changes Wiccan Music to suit the

Wiccan Music

expressive intent of the performer. Even random placement of random sounds, which occurs in musical montage, occurs within some kind of time, and thus employs time as a musical element. Notation is the written expression of music notes and rhythms on paper using symbols. When music is written down, the pitches and rhythm of the music is Wiccan Music notated, along with instructions on how to perform the music. The study of how to read notation involves music theory, harmony, the Wiccan Music study of performance practice, and in some cases an understanding of Wiccan Music historical performance methods. Written notation varies with style and period of music. In Western Art music, the most common types of written notation are scores, Wiccan Music which include all the music parts of an ensemble piece, and parts, which are the music notation for the individual performers or singers. In popular music, jazz, and blues, the standard musical notation is Wiccan Music the lead sheet, which notates the melody, chords, Wiccan Music lyrics (if it is Wiccan Music a vocal piece), and structure of the music. Music Downloads Reviews Scores and parts Wiccan Music are also used in popular music and jazz, particularly in large ensembles such as jazz "big bands." In popular music, guitarists and electric Wiccan Music bass Wiccan Music players often read music notated in tablature, which indicates the location of the notes to be Wiccan Music played on the instrument using Wiccan Music a Wiccan Music diagram of the guitar or bass fingerboard. Tabulature was also used in the Baroque era to notate music Lycos Music for the Wiccan Music lute, a stringed, fretted instrument. Notated music is produced as sheet music. Wiccan Music To Wiccan Music perform music from notation requires an understanding of both the musical style and the performance Wiccan Music practice that is associated with a piece of music or Wiccan Music genre. Improvisation is the creation of spontaneous music. Improvisation is often considered an act Wiccan Music of instantaneous composition by composers, where compositional techniques are employed with or without preparation. Music theory encompasses the nature and mechanics of Wiccan Music music. It often involves identifying patterns that govern Wiccan Music composers' techniques. In Wiccan Music a more detailed sense, Wiccan Music music theory Wiccan Music (in the western system) also distills and analyzes the elements of music � rhythm, harmony Wiccan Music (harmonic function), Wiccan Music melody, structure, and texture. People who study these properties are Wiccan Music known as music theorists. The field of music cognition involves the study of many aspects of Wiccan Music music including how it is processed by listeners. Rather Wiccan Music than accepting the standard

Wiccan Music

practices of analyzing, composing, and performing music as a given, much research in music cognition seeks instead to uncover Wiccan Music the mental Wiccan Music processes that underlie these practices. Also, research in the field seeks to uncover commonalities between Wiccan Music the musical traditions of disparate cultures and possible cognitive Wiccan Music "constraints" that limit these musical systems. Questions regarding musical innateness, and Wiccan Music emotional responses to music are also major areas of research in the field. Deaf people can experience music by feeling the vibrations in their body, a process which can be enhanced if the Wiccan Music individual holds a resonant, hollow object. A Wiccan Music well-known deaf musician is the composer Ludwig van Beethoven, Wiccan Music who Wiccan Music composed many famous works even after he Wiccan Music had completely lost his hearing. Recent examples of deaf musicians include Evelyn Glennie, a highly acclaimed percussionist who has been deaf since age Wiccan Music twelve, and Chris Buck, Music Hits From a virtuoso violinist who has lost his hearing. This is relevant because it indicates that music is a deeper cognitive process Wiccan Music than unexamined phrases such as, "pleasing to the ear" would suggest. Much research in music

Wiccan Music

cognition seeks to uncover these complex mental processes involved in listening to music, which may seem intuitively simple, yet are vastly intricate and complex.The music that composers make can Wiccan Music be heard Wiccan Music through several media; the most

Wiccan Music

traditional way is to Wiccan Music hear it live, in the presence, or as one of the musicians. Live music can also be broadcast over the radio, television or the internet. Wiccan Music Some musical styles focus on producing a sound for a performance, while others focus on producing a recording which mixes together sounds which were never played "live". Recording, even of styles which Wiccan Music are Wiccan Music essentially live, often uses the ability to edit and Wiccan Music splice to produce recordings which are considered better than the actual performance. As talking pictures emerged Wiccan Music in the early 20th century, with their prerecorded musical tracks, an increasing number of moviehouse orchestra musicians found themselves out of work.[6] During the 1920s live musical performances by orchestras, pianists, and theater organists were common at first-run theaters[7] With the coming of the Wiccan Music talking motion pictures, those Wiccan Music featured performances were largely eliminated. The AFM took out newspaper advertisements protesting Wiccan Music the replacement of live musicians with mechanical playing devices. One 1929 ad that appeared in the Pittsburgh Press Wiccan Music features an image of a can labeled Wiccan Music "Canned Music / Big Noise Brand / Guaranteed to Produce No Intellectual or Emotional Reaction Whatever" Since legislation introduced to help protect performers, composers, Wiccan Music publishers and producers, including the Audio Home Wiccan Music Recording Wiccan Music Act of 1992 in the United States, and Wiccan Music the 1979 revised Berne Convention for the Protection of Wiccan Music Literary and Artistic Works in the United Kingdom, recordings and live performances have also become more accessible through computers, devices and internet in a form

Wiccan Music

that is commonly known as music-on-demand. In many cultures, there is less Wiccan Music distinction between performing and listening to music, since virtually everyone is Wiccan Music involved in Wiccan Music some sort of musical activity, often communal. In industrialised countries, listening to music through a recorded form, such as sound recording or watching a music video, became Wiccan Music more common than experiencing live Wiccan Music performance, Music Piracy Australia roughly in the middle Wiccan Music of the 20th century. Sometimes, live performances incorporate prerecorded sounds. Wiccan Music For example, a DJ uses disc records for scratching, and

Wiccan Music

some 20th-century works

Wiccan Music

have a solo for an instrument or voice that is performed along with music that is prerecorded onto a tape. Computers and many keyboards can be programmed to produce and play MIDI music. Audiences can also become performers by participating in Karaoke, an activity of Japanese origin Wiccan Music which centres Wiccan Music around a device that plays voice-eliminated versions of well-known songs. Wiccan Music Most karaoke machines also have video screens that show lyrics to songs being performed; performers can

Wiccan Music

follow the lyrics as they sing over the instrumental tracks. The advent of the Internet has Wiccan Music transformed the experience of music, partly Wiccan Music through the increased ease of access to music and the increased choice. Chris Anderson, in his book The Long Tail: Why Wiccan Music the future

Wiccan Music

of business is selling less of Wiccan Music more, suggests Wiccan Music that while the economic model of supply and demand describes scarcity, the Internet retail model is based on abundance. Digital storage costs are low, so a Wiccan Music company can afford to make its whole inventory available online, giving customers as much choice as possible. It has thus become economically viable to offer products Wiccan Music that very Wiccan Music few people are Wiccan Music interested in. Consumers' growing awareness of their increased choice results in a closer association between listening tastes and social identity, and the creation of

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thousands of niche markets. Another effect of the Internet arises with online communities like Youtube and Myspace. Wiccan Music Myspace has made social networking with other musicians easier, and greatly facilitates the distribution of one's music. Youtube also has a large community of both amateur and professional musicians who post videos and comments. Professional

Wiccan Music

musicians also use Youtube as a free publisher of promotional material. Youtube users, for

Wiccan Music

example, no longer only download and listen to mp3s, but also actively create their own. According to Tapscott and Williams, there has been Wiccan Music a shift from a traditional consumer role to what they Wiccan Music call a "prosumer" role, a consumer who Wiccan Music both creates and consumes. Manifestations of this in Wiccan Music music include the production of mashes, remixes, Wiccan Music and music videos by Internet Background Music fans.

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