One example of a common use of these concepts is a Mail User Agent that can be instructed to be in either Play Congas "on-line" or "off-line" states. One such MUA Play Congas is Microsoft Outlook. When it is "on-line" it Play Congas will attempt to connect to mail servers (to check for new mail at regular intervals, for example), Play Congas and when it is "off-line" it will not attempt to make any such Play Congas connections. The "on-line" or "off-line" Play Congas state of the MUA does not necessarily reflect the connection status Play Wurlitzer between the computer on which it is running and Internet. The user may Play Congas have the computer itself on-line, Music Will Not Play Nuvi connected to Internet via a cable modem or an ADSL connection, but may wish Play Congas for Outlook to be off-line, so that it Play Congas makes no attempt to send or to receive messages. Or the computer may be configured to employ a dial-up connection on demand (whenever an application such as Outlook attempts to make connection to a server), but the connection may be Play Congas an expensive telephone call from the particular location in which the computer currently happens to be (such as a hotel room) and Play Congas the user may Play Congas not Play Congas wish Outlook to trigger making that call every 5 or 10 minutes to check for mail.
Another example of the use of these concepts is in the world of digital audio technology. A tape recorder, digital editor, or other device that is "on-line" Play Congas is one whose clock Play Congas is under the control of the clock of a "synchronization Play Congas master" device. When the Play Congas sync master commences playback, the "on-line" device automatically synchronizes itself to the master and commences playing Play Congas from the same point in the recording. Whereas a device that is "off-line" uses no external clock reference and relies upon its own internal clock. When a large number of devices are connected to a sync master, Play Feel The Game it is often convenient, Play Congas if one wants to hear Play Congas just the output of Play Congas one single device, to take it off-line, because Play Congas if the device is played back on-line all Play Congas synchronized devices have to locate the playback Play Congas point and wait for each other to be in Play Congas synchronization.[2] (For further related discussion, see MIDI timecode, word sync, and recording system synchronization.)
A third example of a common use of these concepts is a web Play Congas browser that can be instructed to Play Congas be Play Congas in either Play Congas "on-line" or "off-line" Play Congas states. The browser only attempts to fetch pages from Play Congas servers whilst in the "on-line" state. In the "off-line" state, Play Congas users can perform offline browsing, where pages can be browsed using local copies of those pages that have previously been downloaded whilst in the "on-line" state. This can be useful when the computer itself Play Congas is also off-line, with Play Congas connection to Internet expensive Play Congas or impossible. The pages are either downloaded implicitly into the web browser's own cache, as a result of prior on-line browsing by the user, or explicitly by the browser being configured to keep Play Congas local copies of certain web pages, which it keeps updated when the browser is in Play Congas the on-line state, either by checking that the local copies are up-to-date at regular intervals or by checking that the local copies are up-to-date Play Congas whenever the browser is switched to the on-line state. One such Play Congas web browser capable Play Congas of being explicitly configured to download pages for offline browsing is Internet Explorer. When pages are added to the "Favourites" list, they can be marked Play Congas for Play Congas being made "available for offline browsing". Internet Explorer will download to local copies both the marked Play Congas page and, optionally, all of Play Congas the pages that Play Congas it links to. In Internet Explorer version 6, the level of direct and indirect links, the maximum amount of Play Congas local disc space Different Ways To Play Paintball allowed to be consumed, and the schedule Play Congas on which local copies are checked to see whether they are up-to-date, are configurable for each
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The ideas of "on-line" and Play Congas "off-line" have been generalized from computing and telecommunication Play Congas into the field Play Congas of human interpersonal Play Congas relationships. The distinction between what is considered "on-line" and what is considered "off-line" has Play Congas become a subject of study in the field of sociology.[7]
The distinction between "on-line" and "off-line" is conventionally seen as Play Congas the distinction between computer-mediated communication and face-to-face communication (e.g. face time), respectively. "On-line" is virtuality, and "off-line" is reality (e.g. real life or meatspace). Slater states Play Congas that this distinction is "obviously far too simple". To support his argument that the distinctions in relationships are more complex than a simple "on-line"/"off-line" dichotomy, he observes that Play Congas some people draw no distinction between an "on-line" relationship, Play Congas such as Play Congas indulging in cybersex, and an "off-line" relationship, such as being pen-pals. He also argues that even the telephone can be regarded as an "on-line" experience in some circumstances, and that Play Congas the Play Congas blurring of the distinctions between the uses of various technologies (such as PDA and mobile telephone, television and Internet, and telephone and voice-over-IP) has made it "impossible to use the term 'on-line' meaningfully in the sense that was employed by the first generation Play Congas of Internet Play Congas research".[7]
Slater asserts that there are legal and regulatory pressures Play Congas to reduce Play Congas the distinction Play Congas between "on-line" and "off-line", Play Congas with a "general tendency to assimilate Rock Band Drum Set Play Station online Play Congas to offline and erase the distinction", Play Orgon Trail Online stressing, however, that this does not mean that on-line Play Congas relationships are Play Congas being Play Congas reduced to pre-existing off-line relationships. He conjectures that greater legal status may be assigned Play Congas to on-line relationships (pointing out that contractual relationships, such as business transactions, on-line Play Congas are already seen Play Congas as just as "real" as their off-line counterparts), although he states it to be hard to imagine courts awarding Play Congas palimony to people who have had a purely on-line sexual relationship. He also Play Congas conjectures that an "on-line"/"off-line" distinction may be seen by people as "rather quaint and not quite comprehensible" within 10 years
The distinction where "on-line" is seen as virtuality and "off-line" as reality is sometimes inverted, Play Congas with "on-line" concepts being used to define and to explain "off-line" activities, Play Congas rather than Play Congas (as per the Play Congas conventions of the desktop metaphor with Play Congas its desktops, trash cans, folders, and so forth) the other way around. Several cartoons by The Play Congas New Play Congas Yorker have satirized Play Congas this. Play Congas One includes Saint Peter asking for a user name and a password before admitting a man into Heaven. Play Congas Another illustrates "the off-line store" where "All items are actual size!", where shoppers may "Take it home as soon as you pay for it!", and where "Merchandise may be handled prior to purchase!". Play Congas |
