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Film is a term Control Movie Password that encompasses individual motion pictures, the field of film as an art form, and the motion picture industry. Films are produced by recording images from the world with cameras, or by creating images using animation techniques or special effects. Films are cultural artifacts created by specific cultures, Control Movie Password which Control Movie Password reflect those cultures, and, in turn, affect them. Film is considered to be an important art form, a source of popular entertainment and a powerful method for educating � or indoctrinating � citizens. The visual elements of cinema gives motion pictures a universal Control Movie Password power of communication. Some films have become popular worldwide attractions by using dubbing or subtitles that translate the Control Movie Password dialogue. Traditional films are made up of a series Control Movie Password of individual images called frames. When Control Movie Password these images Control Movie Password are shown rapidly in succession, Control Movie Password a viewer has the illusion that motion is occurring. The viewer cannot see the flickering between Control Movie Password frames due to an effect known as persistence of vision, whereby the eye retains a The origin of Control Movie Password the name "film" comes from the fact that photographic film (also called film stock) had historically been the Control Movie Password primary medium for recording and displaying motion pictures. Many other terms exist for an individual motion picture, including picture, Control Movie Password picture show, photo-play, flick, and most commonly, movie. Additional terms for the field in general include the big screen, the silver screen, the cinema, and the movies.In the 1860s, mechanisms for producing artificially created, two-dimensional images in motion were demonstrated with devices such as the zoetrope and the praxinoscope. These machines were outgrowths of simple optical devices (such as magic lanterns) Control Movie Password and Control Movie Password would display sequences of still pictures at Control Movie Password sufficient speed for the images on Control Movie Password the pictures Control Movie Password to appear to be moving, a phenomenon Control Movie Password called persistence of vision. Naturally, the images needed to be carefully designed to Control Movie Password achieve the desired Control Movie Password effect � and the underlying principle became the basis for the

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development of film Control Movie Password animation. A frame from Roundhay Garden Scene, the world's earliest film, by Louis Le Prince, 1888 With the development of celluloid film Control Movie Password for still photography, it became possible to directly capture objects in motion in real time. Early versions of the technology sometimes required a person to look into a viewing Control Movie Password machine to see the pictures which were separate paper prints attached to a drum turned by a handcrank. The pictures were shown at a variable speed of about 5

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to 10 Control Movie Password pictures per second depending on how Control Movie Password rapidly

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the crank was turned. Some of Control Movie Password these machines were coin operated. Control Movie Password By the 1880s, the development Control Movie Password of the motion picture camera allowed the individual component images to be captured and stored on Control Movie Password a single reel, and led quickly to the development of a motion picture projector

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to shine light through the processed and printed film and magnify these "moving Control Movie Password picture shows" onto a screen for an entire audience. These reels, so exhibited, Control Movie Password came to be known Control Movie Password as "motion pictures". Early motion pictures were static shots that showed an Control Movie Password event or action with no editing or other cinematic techniques. Ignoring Dickson's early sound experiments (1894), commercial motion Control Movie Password pictures were Control Movie Password purely visual art through the late 19th century, but these innovative silent films had gained a hold on the public imagination. Around the turn of the twentieth century, films began Control Movie Password developing a narrative structure by stringing scenes together to tell Control Movie Password narratives. The scenes were Control Movie Password later broken up into multiple shots of varying

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sizes and angles. Other techniques such as camera movement were realized as effective ways to portray a story on film. Rather Control Movie Password than leave the audience in silence, theater owners would hire a Control Movie Password pianist or organist or a full orchestra Control Movie Password to play music fitting Control Movie Password the mood of the film at any given Control Movie Password moment. By the early 1920s, most films came with a prepared list of sheet music for Control Movie Password this purpose, with Control Movie Password complete film scores being composed for major productions. A shot from Georges Melies Le Voyage dans la Control Movie Password Lune (A Trip to the Moon) Control Movie Password (1902), an early narrative film. The rise of European cinema was interrupted by the breakout of Control Movie Password World War I while the film industry in Control Movie Password United States flourished with the rise of Hollywood. However in the 1920s, Control Movie Password European filmmakers such as Control Movie Password Sergei Eisenstein, F. W. Murnau, and Fritz Lang, along with American innovator Control Movie Password D. W. Control Movie Password Griffith and the contributions Control Movie Password of Charles Control Movie Password Chaplin, Buster Keaton and others, continued to advance the medium. In Control Movie Password the 1920s, new technology allowed filmmakers to attach to each film a soundtrack of speech, Control Movie Password music and sound Control Movie Password effects synchronized with the action on the screen. These sound films were initially distinguished by calling them "talking pictures", or talkies. The next major step Control Movie Password in the development of cinema was Control Movie Password the introduction of so-called "natural" color. While the addition of sound quickly eclipsed silent film and theater musicians, color was adopted Control Movie Password more gradually Control Movie Password as methods evolved making it more practical and cost effective

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to produce "natural color" films. The

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public was Control Movie Password relatively indifferent to color photography as opposed to black-and-white,[citation needed] but as color processes improved and became as affordable Control Movie Password as black-and-white film, more and more movies were filmed in color after the end of World War II, as the Control Movie Password industry in America Control Movie Password came to view color Control Movie Password as Control Movie Password essential to attracting Control Movie Password audiences in its competition Control Movie Password with television, which remained a black-and-white Control Movie Password medium Control Movie Password until the mid-1960s. By the end of the 1960s, col Since the decline of the studio system Control Movie Password in the 1960s, the succeeding decades saw changes in the production and Control Movie Password style of film. New Hollywood, French New Wave and the rise of film school educated Control Movie Password independent filmmakers were all part of the Fatal Frame Movie changes the medium experienced in Control Movie Password the Control Movie Password latter half of the 20th century. Digital technology has been the driving force in change throughout the 1990s and into the Control Movie Password 21st century. Theory Main article: Film theory Film theory seeks to develop concise and systematic concepts that apply Control Movie Password to the study of film as art. It was started by Ricciotto Canudo's The Birth of Control Movie Password the Sixth Art. Formalist film theory, led by Rudolf Arnheim, Bela Balazs, and Siegfried Kracauer, emphasized how film differed from reality, and thus

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could Control Movie Password be considered a Control Movie Password valid fine art. Andre Bazin reacted against this theory by arguing Control Movie Password that film's artistic essence lay Control Movie Password in its ability to mechanically reproduce reality not in its differences from reality, and this gave rise to realist theory. More recent analysis spurred by Control Movie Password Lacan's psychoanalysis and Ferdinand Control Movie Password de Saussure's semiotics Good Luck Chuck The Movie among other things has given rise to psychoanalytical film theory, structuralist film Control Movie Password theory, feminist film theory and others. Criticism Main article: Film criticism Film criticism is the analysis and Control Movie Password evaluation of films. In general, these works can be Control Movie Password divided into two categories: academic criticism by film scholars and journalistic film criticism that appears regularly in newspapers and other media. Film critics working for newspapers, magazines, and Control Movie Password broadcast media mainly review new releases. Normally they only see any given film once and have only a day or two to formulate opinions. Control Movie Password Despite Control Movie Password this, critics have an important Control Movie Password impact on films, especially Control Movie Password those of certain genres. Mass marketed action, Control Movie Password horror, and comedy films tend not to be greatly affected by a critic's overall judgment of a film. The plot Control Movie Password summary and description of a film that makes up the majority of any film review can still have Control Movie Password an important impact on whether people decide Control Movie Password to see a Control Movie Password film. For prestige Control Movie Password films such as most dramas, the influence of reviews is extremely important. Poor reviews will often doom a film to obscurity and financial loss. The impact of a reviewer on a given film's box office performance is

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a matter of debate. Some claim Control Movie Password that movie marketing is now so intense and well financed that reviewers cannot make an impact against it. However, Control Movie Password the cataclysmic failure of some heavily-promoted movies which were harshly reviewed, as well as the unexpected success of critically praised Control Movie Password independent movies indicates that extreme critical reactions can have considerable Control Movie Password influence. Others note that positive film reviews have been shown to spark interest in little-known films. Conversely, there have been several films in which film companies have so little confidence that they refuse to give reviewers an advanced viewing to avoid widespread panning of Control Movie Password the film. However, this usually backfires as reviewers are Control Movie Password wise to the tactic and warn the public that the film may not be worth seeing and the films often do poorly as a result. It is argued that journalist film critics should only be known as film reviewers, Control Movie Password and true film critics are those who take a more academic approach to films. This line of work is Control Movie Password more often Control Movie Password known as film theory or film studies. These film critics attempt to come to understand how film and

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filming techniques Control Movie Password work, and what effect they have on people. Rather than having their works published in newspapers or appear Control Movie Password on television, their articles are published in scholarly journals, or sometimes in up-market magazines. They also tend to be affiliated with colleges or universities. Industry Main article: Film industry The making and showing of motion pictures became a source of profit Control Movie Password almost as soon as the process was invented. Upon seeing how Control Movie Password successful their new invention, and its product, was in

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their native France, the Lumieres quickly set about touring the Continent to exhibit the first films privately to royalty and publicly to the masses. Control Movie Password In each country, they would normally add new, local scenes to their catalogue

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and, quickly enough, Control Movie Password found local entrepreneurs in the various countries of Europe to buy their

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equipment Control Movie Password and photograph, Control Movie Password export, import and screen additional product commercially. The Oberammergau Passion Play of 1898[citation needed] was the first commercial motion picture ever produced. Other pictures Control Movie Password soon followed, and motion pictures became a separate industry that overshadowed the vaudeville world. Dedicated Control Movie Password theaters and companies formed specifically to produce and distribute films, while motion picture actors became major celebrities and commanded huge fees for their Control Movie Password performances. Already by 1917, Charlie Chaplin had a Control Movie Password contract that called for an annual salary Control Movie Password of one million dollars. In the United States today, much of the film industry is Control Movie Password centered around Hollywood. Other regional centers exist in many parts of the world, such as Mumbai-centered Bollywood, the Indian film Control Movie Password industry's Hindi cinema which produces the largest number of films in the world.[1] Whether the ten thousand-plus feature length films a year produced by the Valley pornographic film industry should qualify for this Control Movie Password title is the source of some debate.[citation needed] Control Movie Password Though the expense involved in making movies has Control Movie Password led cinema production to concentrate under the auspices of movie studios, recent advances in affordable film making equipment have allowed independent film productions to flourish. Profit is

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a key force in the industry, due to the costly and risky nature Control Movie Password of

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filmmaking; many films have Control Movie Password large cost overruns, a Control Movie Password notorious example being Kevin Costner's Waterworld. Yet many filmmakers strive to create works of lasting social significance. The Academy Awards (also Control Movie Password known as "the Oscars") are the most prominent film awards in the United States, providing recognition each Control Movie Password year to films, ostensibly based on their artistic merits. There is also Control Movie Password a large industry for educational

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and instructional films

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made in lieu of or in addition to lectures and texts. Preview A preview performance refers to a showing of a movie to a select audience, usually for the Control Movie Password purposes of corporate promotions, before the public film premiere itself. Previews are sometimes used to judge audience reaction, which if unexpectedly negative, may result in recutting or even refilming certain sections. Control Movie Password (cf Audience response.) Trailer Main article: Trailer (film) Trailers Control Movie Password or previews are film advertisements for films that will Control Movie Password be exhibited in the future at a cinema, on whose screen they are shown. The term "trailer" comes from their having originally been shown at the end of a film programme. That practice did not last long, because patrons tended to leave the theater after the films ended, but the name has stuck. Trailers Control Movie Password are now shown before the film (or the A movie Control Movie Password in a double Control Movie Password feature program) begins. The nature of the Control Movie Password film determines the size and type Control Movie Password of crew

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required during filmmaking. Many Hollywood adventure films need computer generated imagery (CGI), created by dozens of 3D modellers, animators, rotoscopers and compositors. Control Movie Password However, a low-budget, independent film may be made with a skeleton crew, often paid very little. Also, an open source film may be produced through open, collaborative processes. Filmmaking takes place all over the world using different technologies, styles of acting and genre, and is produced in a variety of economic contexts that range Control Movie Password from state-sponsored documentary in China to Control Movie Password profit-oriented movie making Control Movie Password within the American studio system. This production cycle typically Control Movie Password takes three years. The Control Movie Password first year is taken up with development. The second year comprises preproduction and production. The third year, post-production and distribution. Crew Main article: Film crew A film crew is a group of people hired by a film company, employed during the "production" or "photography" phase, for the purpose of producing a film or motion picture. Crew are

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distinguished Control Movie Password from cast, the actors who

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appear in front of the camera or provide voices for characters in the film. The crew interacts with but is also distinct from the production staff, consisting Control Movie Password of producers, managers, company representatives, their assistants, and those whose primary responsibility falls in pre-production or post-production phases, Control Movie Password such as writers and editors. Communication between production and crew generally passes through Control Movie Password the director and his/her staff of assistants. Medium-to-large Control Movie Password crews are generally divided into departments with well defined hierarchies and standards for interaction and cooperation between Control Movie Password the departments. Control Movie Password Other

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than acting, the crew handles everything Control Movie Password in the photography phase: props and costumes, shooting, sound, electrics (i.e., lights), sets,

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and production special effects. Caterers (known in the film industry as "craft services") are Control Movie Password usually Control Movie Password not considered part of the crew. Technology Film stock consists of transparent celluloid, acetate, or polyester base coated with an emulsion containing light-sensitive chemicals. Cellulose nitrate was the first type of film base used to record motion pictures, but due to its flammability was eventually Control Movie Password replaced by safer materials. Stock widths and the film format for images on the reel have had a rich history, though most large commercial films are still shot on (and

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distributed to theaters) as 35 mm prints. Originally moving picture film was shot and projected at various speeds using hand-cranked cameras and projectors; Control Movie Password though 1000 frames per minute (16? frame/s) is generally cited as a standard silent speed, research indicates most films were shot between 16 frame/s and 23 frame/s Control Movie Password and projected from 18 frame/s on up (often reels included instructions on how fast each scene should be shown) [1]. When sound film was introduced in the late 1920s, a constant speed was required for the sound head. 24 frames per second was chosen because it was the slowest (and thus cheapest) speed which allowed for sufficient sound quality. Improvements since the late 19th century include the mechanization of cameras � allowing them to record at a consistent speed, quiet camera design � allowing sound recorded on-set to be usable without requiring large "blimps" to encase the camera, the invention of more sophisticated filmstocks and lenses, allowing directors to film in increasingly dim conditions, and the development of synchronized sound, allowing sound to be recorded at exactly the same speed as its corresponding action. The soundtrack can be Control Movie Password recorded separately from shooting the Control Movie Password film, but for live-action pictures many parts Control Movie Password of the soundtrack are usually recorded simultaneously. As a medium, film is not limited to motion pictures, since the technology developed as the basis for photography. It can be used to present a progressive sequence of still images in the form of a slideshow. Film has also been incorporated into multimedia presentations, and often has importance as primary historical documentation. However, historic films have problems in terms of preservation and storage, and the motion picture industry is exploring many alternatives. Control Movie Password Most movies on cellulose nitrate Control Movie Password base have been copied onto modern safety films. Control Movie Password Some studios save color films through the use of separation masters � three B&W negatives each exposed Control Movie Password through red, green, or blue filters (essentially a reverse of the Technicolor process). Digital Control Movie Password methods Control Movie Password have also been used to restore films, although their continued Control Movie Password obsolescence cycle makes them (as of 2006) a poor choice for long-term preservation. Film preservation of decaying film stock is a matter of concern to both film historians and archivists, and to Control Movie Password companies interested in preserving their Control Movie Password existing products in Control Movie Password order to make them available to future generations (and thereby increase revenue). Preservation is generally a higher-concern for nitrate and single-strip color

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films, due to their high Control Movie Password decay rates; black and white films on safety bases and color films preserved on Technicolor imbibition prints tend to keep up much better, assuming Control Movie Password proper handling and storage. Some Control Movie Password films in recent decades

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have been recorded using analog video technology similar to that used in television Control Movie Password production. Modern digital video cameras and digital projectors Control Movie Password are gaining ground as well. These approaches are extremely beneficial to moviemakers, Control Movie Password especially because footage Control Movie Password can be evaluated and edited without waiting for the film stock to be processed. Yet the migration is Control Movie Password gradual, and as of 2005 most major motion pictures are still recorded on Control Movie Password film. Independent Main article: Independent film The Lumiere Brothers Independent filmmaking often Control Movie Password takes place Control Movie Password outside of Hollywood, or Control Movie Password other major Control Movie Password studio systems. An independent Control Movie Password film (or indie film) is a film initially produced without financing or distribution from Control Movie Password a major movie studio. Creative, business, and technological reasons have all contributed to the growth of the indie film Control Movie Password scene in the late 20th and early 21st century. On the business side, the costs of big-budget studio films also leads to conservative choices in cast and crew. There is a trend Control Movie Password in Hollywood towards co-financing (over two-thirds of the films put out by Warner Bros. in Control Movie Password 2000 were joint ventures, up Control Movie Password from 10% in 1987).[2] A hopeful director is almost never Control Movie Password given the opportunity to get a job on a big-budget studio film unless he or she has Control Movie Password significant industry experience in film or Control Movie Password television. Also, the studios rarely Control Movie Password produce films with unknown actors, particularly Control Movie Password in Control Movie Password lead roles. Before the advent Control Movie Password of Control Movie Password digital alternatives, the Control Movie Password cost of professional film equipment and Watch Free Movie Blood Rayne stock was also a hurdle to Control Movie Password being able to produce, direct, or star in a traditional studio film. The cost of 35 Control Movie Password mm film is outpacing inflation: in 2002 alone, film negative costs were Control Movie Password up 23%, according Control Movie Password to Variety.[2]. But the advent of consumer camcorders in Control Movie Password 1985, and more importantly, the arrival of high-resolution Control Movie Password digital video in the early 1990s, have lowered the technology barrier to movie production significantly. Both production Control Movie Password and Control Movie Password post-production costs have Control Movie Password been significantly lowered; today, the hardware and software for post-production can be installed in a commodity-based personal computer. Technologies such as DVDs, FireWire connections Control Movie Password and Control Movie Password non-linear Control Movie Password editing Control Movie Password system pro-level software like Adobe Premiere Pro, Sony Vegas and Apple's Final Cut Pro, and consumer Control Movie Password level software such as Apple's Final Cut Express and iMovie make movie-making relatively inexpensive. Since the introduction of DV technology, the means of production have Control Movie Password become more democratized. Filmmakers can conceivably shoot and edit a movie,

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create and edit the sound and music, and mix the final Control Movie Password cut Control Movie Password on a home computer. However, while Control Movie Password the means of Control Movie Password production may be democratized, financing, distribution, and Control Movie Password marketing remain difficult to accomplish outside the traditional system. Most independent filmmakers rely on Control Movie Password film festivals to get

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their films noticed and sold for distribution. The arrival of internet-based Will Ferell S Basketball Movie video outlets such as YouTube and Veoh Control Movie Password has further changed the film making landscape in ways that are still to be determined. Open content film Main article: Open content film An open content film is much like an independent film, but it is produced through open collaborations; its source material is available under Control Movie Password a license which is permissive enough to allow other parties to create fan fiction or derivative works, than a traditional copyright. Like independent Control Movie Password filmmaking, Control Movie Password open source filmmaking takes place Control Movie Password outside of Hollywood, or other major studio systems. Fan film Main article: Control Movie Password Fan film A fan film is a Control Movie Password film or video inspired by a film, television

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program, comic book or a similar source, created by fans rather Control Movie Password than by the source's copyright holders or creators. Fan filmmakers have traditionally been amateurs, but Hibernatus Movie some of the more Control Movie Password notable films have actually been produced by professional filmmakers as film school class projects or as demonstration reels. Control Movie Password Fan films vary tremendously in length, from short

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faux-teaser trailers for non-existent motion pictures to Control Movie Password rarer full-length motion pictures Animation is the technique in which each frame of a film is produced individually, Control Movie Password whether generated Control Movie Password as a computer Control Movie Password graphic, or by photographing a drawn image, Control Movie Password or by repeatedly making small changes to a model unit (see claymation and Control Movie Password stop motion), and then photographing the result with a special animation camera. When the frames are strung together and the resulting film is viewed at a speed of 16 Control Movie Password or more frames per second, Control Movie Password there is an illusion of continuous movement (due to the persistence of vision). Generating such a film is very labour intensive and tedious, though the development of computer animation has greatly sped up the process. File formats like GIF, QuickTime, Shockwave and Flash allow animation to be viewed on a computer or over the Internet. Because animation is very time-consuming and often very expensive to produce, the majority of animation for TV and movies comes from professional animation studios. However, Control Movie Password the field of independent animation has existed at least since the 1950s, with animation being produced by independent studios (and sometimes by a single person). Several independent animation producers have gone on to enter Control Movie Password the professional animation industry. Limited animation

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is a Control Movie Password way of increasing Control Movie Password production and decreasing costs of animation Control Movie Password by using "short cuts" in the animation process. This method was pioneered by UPA and popularized by Hanna-Barbera, Control Movie Password and adapted by other studios as cartoons moved Control Movie Password from movie theaters to television.[3] Although most animation studios are now using digital Red Dwarf Movie News technologies in their productions, there is a specific style of Control Movie Password animation that depends on Control Movie Password film. Cameraless animation, Control Movie Password made famous by moviemakers like Norman McLaren, Len Lye and Control Movie Password Stan Brakhage, is painted and drawn directly onto Control Movie Password pieces of film, and then run through a projector. Venues When it is initially produced, a feature film is Control Movie Password often shown to audiences in a movie theater Control Movie Password or cinema. The first theater designed exclusively Control Movie Password for cinema opened in Pittsburgh, Control Movie Password Pennsylvania in 1905.[4] Thousands of such theaters were built or converted from existing facilities within a few years.[5] In the United States, these theaters came to be known as nickelodeons, because admission Control Movie Password typically cost a nickel (five cents). Typically, one film is Control Movie Password the featured presentation (or feature film). Before the 1970s, there were "double Control Movie Password features"; Control Movie Password typically, Control Movie Password a high quality "A picture" rented Control Movie Password by Control Movie Password an Control Movie Password independent theater for a Control Movie Password lump sum, and a "B picture" of lower quality rented for a percentage of the gross receipts. Today, the bulk of the material shown Control Movie Password before the feature Control Movie Password film consists of previews for upcoming movies and paid advertisements (also known as trailers or Control Movie Password "The Twenty"). Historically, all mass marketed feature films were made to be shown in movie theaters. The Control Movie Password development of television has allowed films to be broadcast to larger audiences, usually after the film is no longer being shown in Movie Earnings theaters. Recording technology has also enabled consumers to rent or buy copies of films

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on VHS Control Movie Password or DVD (and the older Control Movie Password formats of laserdisc, VCD and SelectaVision � see also videodisc), and Internet downloads may be available and have started to become revenue sources for the film companies. Some films are now made specifically for these other venues, being released as made-for-TV movies Control Movie Password or direct-to-video movies. The production values on Control Movie Password these films

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are often considered to be of inferior quality compared to theatrical releases Control Movie Password in similar genres, and indeed, some films Control Movie Password that are rejected Control Movie Password by their own studios upon completion are distributed through these markets. The movie theater Control Movie Password pays an average of about Control Movie Password 50-55% of its ticket sales to the movie studio, as film rental fees.[6] The actual percentage starts Control Movie Password with a number higher than

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that, and decreases as the duration Control Movie Password of a film's showing continues, as an incentive to theaters to keep movies in the theater longer. However, today's barrage of highly marketed movies ensures that most movies are shown in first-run theaters for less than 8 weeks. There are a few movies every year that defy this Control Movie Password rule, often limited-release movies Control Movie Password that start in only a few

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theaters and actually grow their theater count through good word-of-mouth and Control Movie Password reviews. According to a Control Movie Password 2000 study Control Movie Password by ABN AMRO, about 26% of Hollywood movie studios' worldwide income came from box office ticket sales; 46% came from VHS and DVD sales to consumers; and 28% came from television (broadcast, cable, Control Movie Password and pay-per-view).[6] Future Control Movie Password state While motion picture films have been around for more than Control Movie Password a century, film is still a relative newcomer in the pantheon of fine arts. In the 1950s, when television became widely available, industry analysts predicted the demise Control Movie Password of local movie theaters. Despite competition Control Movie Password from television's Control Movie Password increasing technological sophistication over Control Movie Password the Control Movie Password 1960s and 1970s, such as the development of color television and large screens, motion picture cinemas continued. In Control Movie Password the 1980s, Control Movie Password when the widespread availability of inexpensive videocassette recorders Control Movie Password enabled people to select films for home viewing, industry analysts again wrongly predicted the death of the local cinemas. In the Control Movie Password 1990s and Control Movie Password 2000s

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the development Control Movie Password of digital DVD players, home theater amplification systems with surround sound and subwoofers, and large Control Movie Password LCD or plasma screens enabled people to select and view films at home with greatly improved audio and visual reproduction. These new technologies provided audio and Control Movie Password visual that in the past only local cinemas had been able Control Movie Password to provide: a large, clear widescreen presentation

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of a film with a full-range, high-quality multi-speaker Control Movie Password sound system. Once again industry analysts predicted Control Movie Password the demise of the local cinema. Local cinemas Control Movie Password will Control Movie Password be changing in the Control Movie Password 2000s and moving Control Movie Password towards digital screens, a new approach which will allow for easier and quicker distribution of films (via satellite or hard disks), a development which may give local theaters a reprieve from their predicted demise. The cinema Control Movie Password now faces a new challenge from home Control Movie Password video by the Control Movie Password likes of a new DVD format Blu-ray, which can provide full HD 1080p Control Movie Password video playback at near cinema quality. Video formats are gradually catching up with the

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resolutions and quality that film offers, 1080p Control Movie Password in Blu-ray offers a pixel resolution of 1920?1080 a leap from the DVD offering of 720?480 and the paltry 330?480 offered by the first home video standard VHS. The Control Movie Password maximum resolutions that film currently offers are 2485?2970 or 1420?3390, UHD, a future Control Movie Password digital video format, will Control Movie Password offer a massive resolution of 7680?4320, surpassing all current film resolutions. The only viable competitor to these new innovations is IMAX which can play

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film content at an extreme 10000?7000 resolution. Despite the rise of all new technologies, the Control Movie Password development of the home video market and a surge of online piracy, 2007 was a