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One example of a Play The Band common Play The Band use of these concepts is Play The Band a Mail User Agent that can be instructed to be in either "on-line" or "off-line" states. One such MUA is Microsoft Outlook. When it is "on-line" it will attempt to connect to mail servers (to check for new mail at regular intervals, for example), and when it is "off-line" it will not attempt to make any such connections. The "on-line" or "off-line" state of the MUA does not necessarily reflect the connection status between the computer on which it is Play The Band running and Internet. The user may have the computer itself on-line, connected to Internet via a Play The Band cable Play The Band modem or an ADSL connection, but Play The Band may wish for Outlook to Play The Band be off-line, so that it Play The Band makes Play The Band no attempt to send or to receive messages. Or the computer may be configured to employ a dial-up connection on demand (whenever an application such as Outlook attempts Play The Band to make connection Play The Band to a server), but the Play The Band connection may be an expensive telephone call from the particular location in which the computer currently happens to be (such as a hotel room) and the user may not wish Outlook to trigger making that call every 5 or 10 minutes to check for mail. Another example of the use Play The Band of Play The Band these concepts is in the world Play The Band of digital audio technology. A tape recorder, digital editor, or other device

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that Play The Band is "on-line" is one whose clock is under the control of the clock of a "synchronization master" device. When the sync master commences playback, the "on-line" Play The Band device automatically synchronizes itself

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to the Play The Band master and commences playing from the same point in the recording. Whereas

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a device that is "off-line" uses no external clock reference and relies upon its own Play The Band internal clock. When a large number of devices Play The Band are connected to a sync master, Play The Band it is often convenient, if one wants Play The Band to hear just the output of one single device, to take it off-line, because if the device is played back on-line all synchronized devices have to locate the playback point and wait for each other to be in synchronization.[2] (For further related discussion, Play The Band see MIDI timecode, word sync, and recording Play The Band system synchronization.) A third example of a Play Full Length Games Online common use of these concepts is a web browser that can be instructed to be in either Play The Band "on-line" or "off-line" states. The browser only attempts to fetch pages from servers whilst in the "on-line" Play The Band state. In the Play The Band "off-line" state, users can perform offline browsing, where pages can be browsed using local copies of Play The Band those pages that have previously been Play The Band downloaded whilst Play The Band in the "on-line" state. This can be useful Play The Band when the computer itself is also off-line, with connection to Internet expensive or Play The Band impossible. The pages are either downloaded implicitly into the web browser's own cache, as a result of prior on-line browsing by Play The Band the user, or explicitly by the browser being configured to keep local copies of certain web pages, which Play The Band it keeps Play The Band updated Play The Band when the browser is in the on-line state, either by checking that the local copies Play The Band are Play The Band up-to-date at regular intervals or by checking that the local

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copies are up-to-date whenever the browser is switched to the on-line state. One such web browser capable of being explicitly configured to Play The Band download pages for offline

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browsing is Internet Explorer. When pages are added to the "Favourites" list, they can be Play The Band marked for being made "available for offline browsing". Internet Explorer will download to local copies both the marked Play The Band page and, optionally, all of the pages that it links to. In Internet Explorer version Play The Band 6, the level of direct and indirect links, the maximum amount of local disc space allowed to be consumed,

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and the schedule on which local copies are Play The Band checked to see whether they are Play The Band up-to-date, are configurable for each The ideas Play The Band of "on-line" and "off-line" have been generalized from computing and telecommunication into the field of human interpersonal relationships. The distinction between what is considered "on-line" and what is considered "off-line" has become a subject of study in the field of sociology.[7] The distinction between "on-line" and "off-line" is conventionally seen as the distinction between computer-mediated communication and face-to-face communication (e.g. face time), respectively. "On-line" is virtuality, and "off-line" is reality (e.g. real life or meatspace). Slater states that this distinction is "obviously far too simple". To support his argument Play The Band that the distinctions in relationships are more Play The Band complex than a Play The Band simple "on-line"/"off-line" dichotomy, he observes Play The Band that some people draw no distinction between an "on-line" relationship, such as indulging in cybersex, and an "off-line" relationship, such as being pen-pals. He also argues that even the telephone can be regarded Play The Band as an "on-line" experience in some circumstances, and that the blurring Play The Band of the distinctions between the uses of various technologies (such as Play The Band PDA and mobile

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telephone, television and Internet, and telephone and voice-over-IP) has made it "impossible to use the term 'on-line' Play The Band meaningfully in Play The Band the sense that was employed by the first generation of Internet Play The Band research".[7] Slater asserts that there are legal and regulatory pressures to reduce the distinction between "on-line" and "off-line", with a "general tendency to assimilate online to Play The Band offline and erase the distinction", stressing, however, Play The Band that this does not mean that on-line relationships are being Play The Band reduced to pre-existing off-line relationships. Play The Band He conjectures that greater legal status may be assigned to on-line relationships (pointing out that contractual relationships, such as Play The Band business transactions, on-line are already Play The Band seen as just as "real" as their off-line counterparts), although he Play The Band states it Play The Band to be hard to imagine Play The Band courts awarding palimony to people who have had a purely on-line sexual Ipod Nano Won T Play relationship. He also conjectures that an "on-line"/"off-line" distinction may be seen Play The Band by people Play The Band as "rather quaint and not quite comprehensible" within 10 years The distinction where "on-line" is seen Play The Band as virtuality and "off-line" as reality is sometimes inverted, with "on-line" concepts being used to define and to explain Play The Band "off-line" Play The Band activities, rather than (as per the conventions Play The Band of the desktop metaphor with its desktops, trash cans, folders, and so forth) the other Play The Band way around. Several cartoons by The New Yorker have satirized this. One includes Saint Peter asking for a user name

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and a password Play The Band before admitting a man into Heaven. Play The Band Another illustrates "the Play The Band off-line store" where "All items are actual size!", where shoppers may "Take it home as Play The Band soon as you pay for it!", and where "Merchandise may be Play The Band handled prior to purchase!".

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