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Film is a term that encompasses individual motion pictures, the field of film as an art form, and the motion picture Movie How High industry. Films are produced by recording images from the world with cameras, or by creating images using animation techniques or special effects. Films Movie How High are cultural

Movie How High

artifacts created Movie How High by specific cultures, which reflect those cultures, and, in turn, affect them. Film is considered to be an important art form, a source of popular entertainment and a Movie How High powerful method for educating Movie How High � or indoctrinating � citizens. The visual elements of cinema gives motion pictures a universal power of communication. Some films

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have become popular worldwide attractions by using dubbing or subtitles that translate the dialogue. Traditional films Movie How High are made Movie How High up of Movie How High a series of individual images called Movie How High frames. When these images are shown rapidly in Movie How High succession, a Movie How High viewer has the illusion that motion is occurring. The viewer cannot see the flickering between frames Movie How High due to

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an effect known

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as persistence of vision, whereby the eye retains a The origin of the name "film" comes from the fact Movie How High that photographic film (also called

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film stock) had historically been the primary medium for recording and Movie How High displaying motion pictures. Many other terms exist for an individual motion picture, including picture, Movie How High picture show, photo-play, flick, Movie How High and most commonly, movie. Additional terms for the field in general include the big screen, the silver screen, the cinema, and the movies.In the 1860s, mechanisms for producing artificially created, Movie How High two-dimensional images in motion were demonstrated with devices such as the zoetrope and the praxinoscope. These machines were outgrowths of simple optical Movie How High devices (such as magic lanterns) and would display sequences of Movie How High still pictures at sufficient speed for the images on the pictures to appear Movie How High to be moving, a phenomenon called persistence of Movie How High vision. Naturally, the images needed to be carefully designed to achieve the desired effect � and the underlying Movie How High principle became the basis for the development of film animation. A frame from Roundhay Garden Scene, the world's earliest film, by Louis Le Prince, 1888 With the development of Movie How High celluloid film for still photography, it became possible to directly capture objects in motion Movie How High in real time. Early versions of the technology sometimes required Movie How High a Movie How High person to look into a viewing Movie How High machine to see the pictures Movie How High which were Movie How High separate paper prints attached to a drum turned by a handcrank. The pictures were shown Movie How High at a variable Movie How High speed of about

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5 to 10 pictures per second depending Movie How High on how rapidly

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the Movie How High crank was turned. Some of these machines were coin operated. By the 1880s, the development of the motion picture Movie How High camera allowed the individual component images Movie How High to Movie How High be captured and stored

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on a single reel, and led quickly to the development of a motion picture projector

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to shine light through the processed and printed film and magnify these "moving picture shows" onto a screen for an entire audience. These reels, Movie How High so exhibited, came to Movie How High be Movie How High known as Movie How High "motion pictures". Early motion pictures were static shots that showed an event or action with no editing or other cinematic techniques. Ignoring Dickson's early sound experiments (1894), commercial motion pictures were purely visual art through the late 19th century, but these innovative silent films had gained Movie How High a hold on the public Movie How High imagination. Around the turn of the twentieth century, films began developing a narrative structure by stringing Movie How High scenes together to tell narratives. The scenes were later broken up into multiple shots of varying sizes Movie How High and angles. Other techniques such as camera movement were realized as effective ways to portray a story on film. Rather than leave the audience in silence, theater owners would hire a pianist Movie How High or organist or a Movie How High full orchestra to play music fitting the mood of the film at Movie How High any given moment. By the early 1920s, most films came with a prepared list of sheet music for this purpose, with complete film scores being composed for Movie How High major productions. A shot from Georges Melies Le Voyage dans

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la Lune (A Trip to the Moon) (1902), an early narrative film. The rise of European cinema was interrupted by the breakout of World War I while the film industry in United States flourished with the Movie How High rise of Hollywood. However in the Movie How High 1920s, European filmmakers such as Sergei Eisenstein, Movie How High F. W. Murnau, and Fritz Lang, along with American innovator Movie How High D. W. Movie How High Griffith and Movie How High the contributions of Charles Chaplin, Buster Keaton and others, continued to advance the medium. In the 1920s, new technology allowed filmmakers to attach to Movie How High each film a soundtrack of speech, music and sound effects synchronized with Movie How High the action on the screen. These sound films were Movie How High initially distinguished by calling them "talking pictures", or talkies. The next major step in the development of cinema was the introduction of so-called "natural" color. While the addition of sound quickly eclipsed Movie How High silent film and theater musicians, color was adopted Movie How High more gradually as methods evolved Movie How High making Movie How High it more practical and cost effective to produce "natural color" films. The public was relatively indifferent to color photography as opposed to black-and-white,[citation needed] but as color processes improved and became as affordable as black-and-white film, more and more movies were filmed Movie How High in color after the end of World War II, as the industry in America came to view color as essential Movie How High to attracting audiences in its competition with television, which remained a black-and-white medium until the mid-1960s. By the Movie How High end of the 1960s, col Since the decline of Movie How High the studio system in the Movie How High 1960s, the succeeding decades saw changes in the production and style of film. New Hollywood, French New Wave and the rise of film school educated Movie How High independent filmmakers Movie How High were Movie How High all part of the changes the medium experienced in the latter half of the 20th century. Digital technology has been the driving force in change throughout the 1990s and into the 21st century. Theory Main article: Film theory Film theory seeks to develop concise Movie How High and systematic concepts that apply Movie How High to the study of film as art. It was started by Movie How High Ricciotto Canudo's The Birth of the Sixth Art. Formalist film theory, led by Rudolf Arnheim, Bela Balazs, and Siegfried Kracauer, emphasized how film differed from Movie How High reality, and thus could be

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considered a valid fine art. Andre Bazin reacted against this theory by arguing that film's artistic essence lay in its Movie How High ability to mechanically reproduce reality not in its differences from reality, and this gave rise to realist theory. Movie How High More Movie How High recent analysis spurred by Lacan's Movie How High psychoanalysis and Ferdinand de Saussure's semiotics among other things has given rise to Movie How High psychoanalytical Movie How High film theory, structuralist film theory, feminist film theory and others. Criticism Main article: Film criticism Film criticism is the analysis and Movie How High evaluation of films. In general, these works can be divided into two categories: Movie How High academic Movie How High criticism Movie How High by film scholars and journalistic film criticism that appears regularly in newspapers and other media. Film critics Movie How High working for newspapers, magazines, and broadcast media mainly review new releases. Normally Movie How High they only see any given film once and have Movie How High only a day or two to formulate opinions. Despite this, critics have an important Movie How High impact on Movie How High films, especially those of certain genres. Mass Movie How High marketed action, horror, and comedy Movie How High films tend

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not to be greatly affected by a critic's overall judgment of a film. The plot summary Movie How High and description of a film that makes up the majority Movie How High of any film Movie How High review

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can still have an important impact on Movie How High whether people decide Movie How High to see a film. For prestige films such as most dramas, the influence of reviews is extremely important. Poor reviews will often doom a film to obscurity and financial loss. The Movie How High impact of a reviewer on a given film's box office performance is a matter of debate. Some claim that movie marketing is now so intense and well financed that reviewers cannot make an impact against it. However, Movie How High the

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cataclysmic failure of some heavily-promoted movies which were harshly reviewed, as well as the unexpected success of critically praised independent movies indicates that extreme critical reactions can Movie How High have considerable influence. Others note that positive film reviews have been shown to spark interest in little-known films. Conversely, there have been Movie How High several films in which film companies have so little confidence that they refuse to give reviewers an advanced viewing to avoid widespread panning of the film. However, this usually backfires as reviewers are wise to the tactic and warn the public that the film may not be worth seeing and the Movie How High films often do Movie How High poorly as a result. It is argued that journalist film critics should only be known as film reviewers, and true Movie How High film critics Movie How High are those who take a more Movie How High academic approach to films. This Movie How High line of work Movie How High is more often known as film theory Movie How High or film studies. These film critics attempt to come to understand how film and Movie How High filming techniques work, and what effect they have on people. Rather than having their works published in newspapers or appear Movie How High on television, their articles are published in scholarly journals, or sometimes in up-market magazines. They also tend to be affiliated with colleges or universities. Industry Main article: Film industry The making and showing of motion pictures became a source of profit almost as soon as the process was invented. Upon seeing how successful their new invention, and its product, was in their native France, the Lumieres quickly set about touring the Movie How High Continent to exhibit the

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first films privately to royalty and Movie How High publicly to the masses. In each country, they would normally add new, local scenes to their catalogue and, quickly enough, found local entrepreneurs in the various countries Movie How High of Europe to buy Movie How High their equipment and photograph, export, import and screen additional product Movie How High commercially. The Oberammergau Passion Play of 1898[citation needed] was the first commercial motion picture ever produced. Other pictures soon followed, and motion pictures became a separate industry that overshadowed the vaudeville world. Dedicated theaters and companies formed specifically to produce

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and distribute films, while motion picture actors became major celebrities and commanded huge fees for their performances. Movie How High Already by 1917, Charlie Chaplin had a contract that Movie How High called for an annual salary of Movie How High one million dollars. In the Movie How High United States today, much of the film industry is centered around Hollywood. Other regional centers exist in many parts of the world, such as Mumbai-centered Bollywood, the Indian film industry's Hindi cinema which produces the largest number of films in the world.[1] Whether the ten Movie How High thousand-plus feature length films a year produced by Movie How High the Valley pornographic film industry should qualify for this

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title is Movie How High the source of some debate.[citation needed] Though the Movie How High expense involved in making movies has Movie How High led cinema production to concentrate under the auspices of movie Movie Forums studios, recent advances in affordable film making equipment have allowed independent film Movie How High productions to flourish. Profit Movie How High is a key force in the industry, due to the costly Movie How High and risky nature of filmmaking; Movie How High many films Movie How High have large cost overruns, a notorious Movie How High example being Kevin Costner's Waterworld. Yet many Movie How High filmmakers strive Movie How High to create works of lasting social significance. The Academy Movie How High Awards (also known as "the Oscars") are the most prominent Movie How High film awards in the United States, Movie How High providing recognition each year to films, ostensibly based on their artistic merits. There is also a large industry for educational and instructional films made in lieu of or in addition to lectures and texts. Preview A preview performance refers Movie How High to a showing of a movie to a select audience, usually for the Movie How High purposes of corporate promotions, before the public film premiere itself. Previews are sometimes used to judge audience reaction, which if unexpectedly negative, may result in recutting

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or even refilming certain sections. (cf Audience response.) Trailer Main article: Trailer Movie How High (film) Trailers or previews are film advertisements for films that will be exhibited in the future at Movie How High a cinema, on whose screen they are shown. The term "trailer" comes from their having originally been shown at the end Movie How High of a film programme. That practice did not last long, because patrons tended to leave the theater after Movie How High the films ended, but the name has

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stuck. Trailers are now shown before the film (or Movie How High the A movie in a double feature program) Movie How High begins. The nature of the film determines the size and type of crew required during filmmaking. Many Hollywood adventure films need computer generated imagery (CGI), created by dozens of 3D modellers, animators, rotoscopers and compositors. However, a low-budget, independent film may

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be made with a skeleton crew, often paid very little. Also, an open source film may Movie How High be produced through open, collaborative processes. Filmmaking takes place all over Movie How High the world using different technologies, styles of acting and genre, Movie How High and is produced in a Movie How High variety of economic contexts that range from state-sponsored documentary in China to profit-oriented movie making within the American Movie How High studio system. This production cycle typically takes three Movie How High years. The first year is taken up with development. The second year comprises preproduction and production. The third year,

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post-production and distribution. Crew Main article: Film crew A film Movie How High crew is a group of people hired by a film company, employed during the "production" or "photography" phase, for Movie How High the purpose of producing a film or motion picture. Crew are distinguished from cast, the actors who appear in front of the Movie How High camera or provide voices for characters in the film. The crew interacts with but is also distinct from the production staff, consisting of producers, managers, company Movie How High representatives, their assistants, and those whose primary responsibility falls in pre-production or Movie How High post-production phases, such as writers and editors. Communication between production and crew generally passes Movie How High through the director and his/her staff of assistants. Medium-to-large crews are generally divided into departments with well defined hierarchies and standards for interaction and cooperation between the departments. Other than acting, the crew handles everything in the photography phase: props and costumes, shooting, sound, Movie How High electrics (i.e., lights), sets, and production special effects. Caterers (known in the film industry as "craft services") are usually Movie How High not considered part of the Movie How High crew. Technology Film stock consists of transparent celluloid, acetate, or polyester base coated with an emulsion containing light-sensitive chemicals. Cellulose nitrate was the Movie How High first type of

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film base used to record motion pictures, but due to its flammability was eventually replaced by safer materials. Stock Movie How High widths and the film format for images on the reel have had a rich history, though most large commercial films Movie How High are still shot on Movie How High (and Movie How High distributed to theaters) as 35 Movie How High mm prints. Originally moving picture film was shot and projected at various speeds Movie How High using hand-cranked cameras and projectors; though 1000 frames per minute (16? frame/s) is generally cited as a standard silent speed, research indicates most films were shot between 16 frame/s and Movie How High 23 frame/s and projected from 18 frame/s on up (often reels included instructions on how fast each scene should be shown) [1]. When sound film was introduced in Movie How High the Movie How High late 1920s, Movie How High a Movie How High constant speed was required for the sound head. 24 frames per second Movie How High was chosen because it was the slowest (and thus cheapest) speed which allowed for sufficient sound quality. Improvements since the late 19th century include Movie How High the mechanization of cameras � allowing them to record at a consistent speed, quiet camera design � Movie How High allowing sound recorded on-set to be usable without requiring large Movie How High "blimps" to encase the camera, the invention of more sophisticated filmstocks and lenses, allowing directors to film in increasingly dim conditions, and the development of synchronized Movie How High sound, allowing sound to be recorded at exactly Movie How High the same speed as its corresponding action. The soundtrack can be recorded separately from shooting the film, but for live-action pictures many parts of the soundtrack are usually recorded simultaneously. As a medium, film Movie How High is not limited to motion pictures, since the technology developed as the basis Internet Movie Data Base for Movie How High photography. It can be used to present a Movie How High progressive sequence of still images in the form of a slideshow. Film has also been incorporated into multimedia presentations, and often

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has importance as primary historical documentation. However, historic films have problems in terms of preservation and Movie How High storage, and the motion picture industry is exploring many alternatives. Most movies on cellulose nitrate base Movie How High have been copied onto modern safety films. Some studios save color films through the use of separation masters � three Movie How High B&W negatives each exposed through red, green, or blue filters Movie How High (essentially a reverse of the Technicolor process). Digital methods have also been used to restore films, although Movie How High their continued obsolescence cycle makes them (as of 2006) a poor choice Movie How High for long-term preservation. Film preservation of decaying film stock is a matter of concern Movie How High to both film historians and archivists, Movie How High and to companies interested in preserving their existing products in order to make them available to future generations (and thereby increase revenue). Preservation is generally Movie How High a Movie How High higher-concern for nitrate and single-strip color films, due to Movie How High their high decay rates; black and white films on Movie How High safety bases and color films preserved on Technicolor imbibition prints tend to keep up much better, assuming proper handling and storage. Some Movie How High films in recent decades have been recorded using Movie How High analog Movie How High video technology similar to that used in television production. Modern digital video cameras and digital projectors are gaining ground as well. These approaches are extremely beneficial to moviemakers, especially because footage can be evaluated and Movie How High edited without waiting for the Movie How High film stock to be processed. Yet the migration is Movie How High gradual, Movie How High and as Movie How High of 2005 most major motion Movie How High pictures are still recorded on film. Independent Main Movie How High article: Independent film The Movie How High Lumiere Brothers Independent filmmaking often takes place outside of Hollywood, or other major studio systems. An independent Movie How High film (or indie film) is Movie How High a film initially produced without financing

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or distribution from a major movie studio. Creative, business, Movie How High and technological reasons have all contributed Movie How High to the Movie How High growth of the indie film scene in the late 20th and early 21st century. On the business side, the costs Movie How High of big-budget studio films also leads to conservative choices in cast and crew. There is a trend in Hollywood towards co-financing (over two-thirds of the films put out by Warner Bros. in 2000 were joint ventures, up from 10% in 1987).[2] A hopeful director is almost never given the opportunity to get a job on a big-budget studio film unless he or she has significant industry experience in film Movie How High or television. Also, the studios rarely produce films with unknown actors, particularly in lead roles. Before the advent of digital alternatives, the cost of professional Movie How High film equipment and stock was also a hurdle to being able to produce, direct, or star

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in a traditional studio film. The cost of 35 mm film is outpacing inflation: in 2002 alone, film negative costs were up 23%, according to Variety.[2]. But the advent of Movie How High consumer camcorders in 1985, and more importantly, the arrival of high-resolution digital video in the early 1990s, have lowered the technology barrier to movie production significantly. Both production and post-production costs have been significantly lowered; today, the Movie How High hardware and software for post-production can be Movie How High installed in a commodity-based personal computer. Technologies such as

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DVDs, FireWire connections and non-linear editing system pro-level software like Adobe Premiere Movie How High Pro, Sony Vegas and Movie How High Apple's Final Cut Pro, and consumer level software such as Apple's Final Cut Express and iMovie make movie-making relatively inexpensive. Since the introduction of DV technology, the means of production have Movie How High become Movie How High more democratized. Filmmakers can conceivably shoot and edit a movie, create and edit the sound Movie How High and music, and mix the Movie How High final cut on a home computer. However, while the means of production may be democratized, financing, distribution, and marketing remain difficult to accomplish Movie How High outside the traditional system. Most independent filmmakers rely on film festivals to get their films noticed and Movie How High sold for distribution. The arrival of internet-based video outlets such as YouTube and Veoh has further changed the film making landscape in ways that are still to be determined. Open content film Main article: Movie How High Open content film An open content Movie How High film is much like an independent film, but Movie How High it is produced through open collaborations; its source material is available Movie How High under a license which is permissive enough to

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allow other parties to create fan fiction or derivative works, than a traditional copyright. Like independent filmmaking, Movie How High open source filmmaking takes place outside of Hollywood, or other major studio systems. Fan film Main article: Fan film A Movie How High fan film is Movie How High a film Movie How High or video inspired by a

Movie How High

film, television program, comic book or a similar source, created by fans rather than by the source's copyright holders or creators. Fan filmmakers have Movie How High traditionally been amateurs, but some of the more notable films have actually been produced by professional filmmakers as film school class projects or as Movie How High demonstration reels. Fan films vary tremendously in length, from short faux-teaser trailers for non-existent motion pictures to rarer Movie How High full-length motion pictures Animation is Movie How High the technique in which Movie How High each frame of a Movie How High film is produced individually, Movie How High whether generated Movie How High as a computer graphic, or by photographing a drawn image, or by repeatedly making small changes to a model unit (see claymation and stop Movie How High motion), and then Movie How High photographing the result with a special animation camera. When the frames are strung Movie How High together and the resulting film is viewed at Movie How High a speed of 16 or more frames per second, Movie How High there is an illusion of continuous movement (due to the persistence of vision). Generating such a film is very labour intensive Movie How High and tedious, though the development of computer animation has greatly sped up the process. File formats like GIF, QuickTime, Shockwave and Flash allow animation to be viewed on a computer or Movie How High over the Internet. Because animation is very time-consuming and Movie How High often very expensive to produce, the majority of animation for TV Movie How High and Movie How High movies comes from professional animation studios. However, the field of independent animation has existed at least since the 1950s, with Movie How High animation being produced by independent studios (and sometimes by a single person). Several independent animation producers have gone on to enter

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the professional animation industry. Limited animation is a way of increasing production and decreasing costs of animation by using "short cuts" in the Movie Thumbs animation process. This

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method was pioneered by UPA and popularized by Hanna-Barbera, and adapted Movie How High by other studios as cartoons moved from movie theaters to television.[3] Although most animation studios are now using digital technologies in their productions, there is a specific style of animation that Movie How High depends on film. Cameraless animation, Movie How High made famous by moviemakers like Norman Movie How High McLaren, Len Lye and Stan Brakhage, is painted and drawn directly Movie How High onto pieces of film, and then run through a projector. Venues When it is initially produced, a feature film is often shown to audiences in a movie theater or cinema. The first theater designed exclusively for cinema opened in Pittsburgh, Pennsylvania in 1905.[4] Thousands of such theaters were built or converted from existing facilities within Movie How High a few years.[5] In the United States, these theaters came to be Movie How High known as nickelodeons, because admission typically cost a nickel (five cents). Typically, one film is

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the featured presentation Gay Movie (or Movie How High feature

Movie How High

film). Before the 1970s, Movie How High there were "double features"; typically, a high quality "A picture" rented by an independent theater for a lump sum, Movie How High and a "B picture" of lower quality rented for a

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percentage of the gross Movie How High receipts. Today, the bulk of the material shown before Movie How High the feature film consists of previews for upcoming movies and Movie How High paid advertisements (also known as Movie How High trailers or "The Movie How High Twenty"). Historically, all mass Movie How High marketed feature films were made to be shown in movie theaters. The development of television has allowed films to be broadcast to larger audiences, usually after the film is no longer being Movie How High shown in theaters. Recording technology has Movie How High also enabled consumers to rent or buy copies of films Movie How High on VHS or DVD (and the older Movie How High formats of laserdisc, VCD and SelectaVision � see also videodisc), and Internet downloads may be available and Movie How High have started to become revenue sources for the film companies. Some films are now made specifically for these other venues, being released as made-for-TV movies or direct-to-video Movie How High movies. Movie How High The production values Movie How High on these Movie How High films are often considered to Movie How High be of inferior quality Movie How High compared to Movie How High theatrical releases in similar genres, and indeed, some films that are rejected Movie How High by their own Movie How High studios upon Movie How High completion Movie How High are distributed through these markets. The movie theater pays an average of about 50-55% of its ticket sales to the Movie How High movie studio, as film rental fees.[6] The actual percentage starts with a number higher than that, and decreases as the duration of a film's showing Movie How High continues, as an incentive to theaters to keep movies in the theater longer. However, Movie How High today's barrage of highly marketed movies ensures that most movies

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are shown in first-run theaters for less than 8 weeks. There are a few Movie How High movies every year that defy this rule, often limited-release movies that start Movie How High in only a few theaters and actually grow

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their theater count through good word-of-mouth Movie How High and reviews. According to a 2000 study by ABN AMRO, about 26% of Hollywood movie studios' worldwide Movie How High income Movie How High came from box office ticket sales; 46% came from VHS and DVD sales to consumers; and Movie How High 28% came from television (broadcast, cable, and pay-per-view).[6] Future state While motion picture films have been around for more than a century, film is still a relative newcomer in the pantheon of fine arts. In the 1950s, when television became widely available, industry analysts Movie How High predicted the Movie How High demise of Movie How High local Movie How High movie theaters. Despite competition from television's increasing technological sophistication over the 1960s and 1970s, such as the development of color television and large screens, motion picture cinemas continued. In the 1980s, when the widespread availability of inexpensive videocassette recorders enabled people to Movie How High select films for home viewing, industry analysts Movie How High again wrongly predicted the death of the local cinemas. In the 1990s and 2000s the development of digital DVD players, home theater amplification systems Movie How High with surround sound and subwoofers, and large LCD or plasma screens enabled people to select and view films at home with greatly improved Movie How High audio and Movie How High visual reproduction. These new technologies Movie How High provided audio and visual that in the past only local cinemas had been able to provide: a large, clear widescreen presentation of a Movie How High film with a Movie How High full-range, high-quality multi-speaker sound Movie How High system. Once again industry analysts predicted the demise of the local cinema. Local cinemas will be changing Movie How High in the 2000s and moving towards digital screens, a Movie How High new approach which will allow for easier Movie How High and quicker Movie How High distribution Movie How High of films Movie How High (via satellite or hard disks), a development which may Movie How High give local theaters Movie How High a reprieve from their Movie How High predicted Movie How High demise. The cinema now faces a new challenge from home video by the likes of a new DVD format Blu-ray, which can provide full HD 1080p video playback at near cinema quality. Video formats are gradually catching up with Movie How High the resolutions and quality

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that film offers, 1080p Movie How High in Blu-ray offers a pixel resolution of 1920?1080 a leap from the DVD offering of 720?480 Movie How High and the paltry 330?480 offered by the first home video standard VHS. Movie How High The maximum resolutions Movie How High that film currently offers are 2485?2970 or Movie How High 1420?3390, UHD, a Movie How High future digital video format, will offer a massive resolution of 7680?4320, surpassing all current film resolutions. The only viable competitor to these new innovations is IMAX which can play film content at an extreme 10000?7000 resolution. Despite the rise of all new technologies, the development of the home video market and a surge of Movie How High online piracy, 2007 was a record year in film Movie How High that showed the highest ever box-office Movie How High grosses. Movie How High Many expected film to suffer as a result of the effects listed above but it Movie How High has flourished, strengthening film studio expectations

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for the future.

Movie How High</h2\076