|Publication number||USRE30278 E|
|Application number||US 05/907,838|
|Publication date||May 20, 1980|
|Filing date||May 19, 1978|
|Priority date||Dec 30, 1974|
|Publication number||05907838, 907838, US RE30278 E, US RE30278E, US-E-RE30278, USRE30278 E, USRE30278E|
|Inventors||Richard J. Stumpf, Waldon O. Watson, Robert J. Leonard|
|Original Assignee||Mca Systems, Inc.|
|Export Citation||BiBTeX, EndNote, RefMan|
|Patent Citations (13), Non-Patent Citations (31), Referenced by (8), Classifications (16)|
|External Links: USPTO, USPTO Assignment, Espacenet|
1. Field of the Invention
The present invention relates generally to motion picture special effects generation and control systems and, more particularly, to a system for simulating an effect such as an earthquake including a control sub-channel incorporated into an existing motion picture film format which produces multi-function analog and digital control signals.
2. Description of the Prior Art
A number of techniques have been proposed or utilized to produce special effects for motion picture theater audiences in addition to the conventional audio sound track. In those systems designed to produce a physical effect on the theater audience, the approach has heretofore been to provide a direct physical stimulus in the form of odors as represented, for example, by U.S. Pat. No. 1,749,187 or physical movement cued to the visual presentations such as vibrating seats or the like, as represented, for example, by U.S. Pat. No. 2,861,806. It will be appreciated that such systems require extensive modification of the theater in which they are installed or the theater must be specially built for such systems, such as with a vibrating floor or seats.
Some of these systems have been designed to be cued from special control tracks or notches on the motion picture film. Other systems have utilized analog control signals which are frequency multiplexed onto a magnetic or optical track such as, for example, the system described in U.S. Pat. No. 2,714,633. Typically, these special effects control systems require special reproduction equipment which is not compatible with ordinary motion picture projection equipment.
Thus, in the past, producing physical sensations in a theater audience has required elaborate theater equipment for direct physical stimulation. Additionally, such equipment was typically specially designed and incompatible with conventional motion picture film formats. There has therefore been a need for a special effects system which could produce physical sensations in an audience in a conventional theater when desired and still be compatible with conventional film formats and projecting equipment. The present invention satisfies that need.
The special effects generation and control system of the present invention provides for the stimulation of psychological and physiological sensations in a theater audience. In a presently preferred embodiment, very low frequency pseudorandom noise signals having sonic and infrasonic components are electroacoustically coupled to the theater space.Iadd., from transducers located within the theater space, .Iaddend.at a sufficiently high intensity to cause the sensation of experiencing physical movement such as an earthquake in an audience.
The system of the invention includes a multifunction control system which is substantially compatible with existing motion picture film formats and theater projectors. The control system is easily installed into existing theater audio systems by simple interruption of the conventional signal paths between audio sensors on the projectors and the theater amplifiers and speakers with a control unit. A separate effects generator is connected to the control unit to provide versatility in the type of effects which may be produced.
For the optical track format, the control system includes a control sub-channel which is frequency multiplexed onto the single optical track with the program audio signal. The optical track format is modified slightly to increase the opening time for the noise reduction device and the maximum program signal excursion is decreased by two decibels to insure the detectability of the control sub-channel. Alternatively, in a magnetic stripe format, a normally redundant optical track is utilized for direct control sub-channel recording.
In the presently preferred embodiment, the control sub-channel includes two low frequency signals which are amplitude modulated to provide two analog control voltages upon detection and the two control voltages are also logically combined to provide four separate digital function control signals. The analog voltages control the levels of the program and effects signals and the digital signals control their combination to provide the desired results.
In utilizing the system of the invention, use is also made of an editing or re-recording apparatus which substantially synchronizes the phase of a control signal generator with that of the control signals on a recording media so that the control signals may be edited without introducing abrupt changes in the control signal level due to phase mismatch.
Thus, the system of the invention produces simulated physiological sensations, particularly earthquake movement sensations and the like, in an audience by electroacoustic coupling of relatively high intensity effects signals.Iadd., as a complex waveform including a combination of frequencies having components in at least the infrasonic frequency range, .Iaddend.to the theater space eliminating any need for actual physical movement of theater seats or the like to produce the effect. Additionally, the control system of the invention provides great versatility in that a single control sub-channel, which is compatible with conventional film formats, provides four digital function control signals and two variable analog control signals.
These and other features of the present invention will become apparent from the detailed description below.
FIG. 1 is a diagrammatic view of a motion picture theater modified to incorporate the earthquake special effects generation and control system of the present invention;
FIG. 2 is a tabulation of the various combinations of the digital function control signals and the corresponding controlled functions;
FIG. 3 is a diagrammatic view of an optical sound track sound system with the special effects generation and control system of the present invention installed;
FIG. 4 is a diagrammatic view of a magnetic stripe theater sound system with the special effects system installed;
FIG. 5 is a more detailed block diagram of the switching and common control electronics sections of the special effects generation and control system of the invention for use with an optical track sound system;
FIG. 6 is a more detailed block diagram of the switching and control electronics sections of the system for a magnetic stripe sound system;
FIG. 7 is a block diagram of a typical optical sound track recording system modified for use with the special effects generation and control system of the invention;
FIG. 8 is a diagram of an optical sound track illustrating the modifications needed to utilize the control system of the present invention;
FIG. 9 is a diagrammatic block diagram of the rerecording technique used with the special effects system of the invention; and
FIG. 10 is an electrical schematic diagram of one embodiment of a pseudorandom noise generator suitable for use in practicing the invention.
Referring now to the drawings, and particularly FIG. 1 thereof, the special effects generation and control system of the present invention is utilized in the theater reproduction of a motion picture film. FIG. 1 is a diagrammatic representation of a typical motion picture theater which includes a screen 10 and right and left projectors 12 and 14 respectively for continuous showing of alternate reels of film. The audience space typically includes a plurality of rows of seats 16. In such a theater, the large majority of films shown have a single optical sound track and program signals coming from each projector 12 and 14 are fed into a conventional projector changeover unit 17. The program signal is then amplified in a program amplifier 18 and delivered to a theater speaker system 19 usually located behind the screen 10.
In utilizing the special effects generation and control system of the present invention, a plurality of additional electro-acoustic transducers, such as the four additional effects speakers 20 shown in FIG. 1, are installed around the periphery of the audience space within the theater. Also the conventional signal path 21 is interrupted and fed to a control unit 22. The modified program signal then continues on to the program amplifier 18 and an effects signal from the control unit 22 is fed to an effects amplifier 23 which provides the signals for the additional effects speakers 20. The effects signals from the control unit 22 are derived, in part, from an effects generator 24 which is connected to the control unit 22.
In the case of the presently preferred embodiment of the invention, the special effects signal from the effects generator 24 is a pseudorandom noise signal having frequency components in the sonic and infrasonic range, the generator typically producing frequencies between .[.15.]. .Iadd.5 .Iaddend.and 100 hertz. It has been found that random noise signals within this frequency range, when amplified to a relatively high intensity and applied to electro-acoustic transducers such as the speakers 20, produce a physiological and psychological sensation similar to that produced when experiencing an earthquake. The term "infrasonic" as used herein is intended to include the very low audible and subaudible frequency range, typically 40 hertz and below, usually associated with physical movement and low frequency rumbling. .Iadd.The term "physical movement" as used herein, e.g., in connection with an earthquake and low frequency rumbling, is intended to refer to the type of substantial movement typically experienced in connection with high intensity phenomena, such as earthquakes, explosions and other low frequency impact and shock wave phenomena, as opposed to music, dialogue, subliminal and other relatively low level effects. .Iaddend.
It should be appreciated that the physiological simulation of movement is produced without any substantial actual physical movement of the audience, and that no modification of the theater is required other than installation of the effects speakers 20. Thus the special effect of movement may be generated in conventional theaters.
The circuit for the pseudorandom noise generator used in the presently preferred embodiment of the invention is a modified form of a circuit described by D. B. Keele, Jr., in the Journal of the Audio Engineering Society, Vol. 21, No. 4, Jan./Feb. 1973. By way of convenience the modified circuit is illustrated in detail in FIG. 10.
It will be appreciated that ordinary speakers and power amplifiers are not normally designed to handle essentially subaural frequencies at relatively high power. Therefore, the speakers 20 and effects power amplifiers 23 utilized in the presently preferred embodiment of the invention are specifically designed for this purpose. Speakers having the frequency and power capabilities for use in practicing the present invention are Model 189E, manufactured by Cerwin-Vega, 6945 Tujunga, North Hollywood, Calif. Amplifiers suitable for use with the present invention are Model 3000, manufactured by BGW Systems, 6030 Washington Boulevard, Culver City, Calif.
In one format of the control system, a control sub-channel including two low frequency signals, is frequency multiplexed onto the normal program signal as discussed in more detail below. The two low frequency signals can be detected and recovered as the film is projected. The detected low frequency signals are processed to produce two control signals A and B which are of varying magnitude, thus providing two analog control voltages. The control signals A and B are also logically combined to produce four separate digital function control signals capable of controlling four separate parameters or functions.
For the presently preferred embodiment of the invention, the digital function control signals and their controlled parameters are tabulated in FIG. 2. For convenience, the control parameters are divided into a single parameter in a program channel and three separate parameters in an effects channel. The program channel is conventionally amplified by the program amplifiers 18 and applied to the theater speakers 19 while the effects channel is amplified by the effects amplifiers 23 and applied to the effects speakers 20 in the theater. In the program channel, a STEP GAIN control is provided so that, at selected times during the film, the gain of the signal applied to the theater speakers 19 may be increased by a predetermined level. The signal in the effects channel is selectively turned on or off as illustrated by the EFFECTS ON column. The effects channel signal may be either one or both of the program or effects generator 24 signal as determined by the digital signals in the PROGRAM GAIN and EFFECTS GAIN COLUMNS. The signal level of both is controlled by the analog signal levels of the A and B control signals, respectively.
Therefore, when both the A and B control signals are not present, the controlled parameters are such that the signal in the program channel is unaffected and the effects channel is turned off. When the A control signal alone is present, the effects channel is turned on and the program signal alone is applied to the effects channel with its amplitude controlled by the magnitude of the A control signal. When the B control signal alone is present, the effects channel is turned on and the effects signal alone is applied to the effects channel, again with its amplitude controlled by the analog signal level of the B signal. Finally, when both the A and B control signals are present, the program STEP GAIN function is activated increasing the gain of the program channel, the effects channel is turned on and a combination of the program signal and effects signal are applied to the effects channel with the amplitude of both being controlled by the analog signal levels of the A and B control signals, respectively.
Thus, the special effects generation and control system of the present invention utilizes two amplitude modulated control frequencies which are detected and processed to provide A and B analog control signals of varying level which are also logically combined to provide four digital function control signals. The format of the presently preferred embodiment of the invention provides that one of the controlled functions is a stepwise increase in the gain in the program channel and the remaining three controlled functions are the activation of the effects channel and the amplitude of the program signal and the effects generator signal in the effects channel. Therefore, by recording the A and B control signals at varying levels with the program signal on the film, a number of special effects may be cued throughout the showing of the film.
While the effects generator 24 described for use with the preferred embodiment of the invention is a very low frequency pseudorandom noise generator 24, any desired signal source may be utilized with the invention. Also, while the program signal is described as being one of the two signals which are combined in the effects channel, it should be appreciated that any signal source may be utilized so that the effects channel could include two completely different signal sources apart from the program signal source in the program channel. As a further refinement, the four logical combinations of the A and B control signals may be utilized to control four completely different functions than those described above. Thus, the control system of the present invention generally provides two analog control signals and four logically derived digital control functions which may be versatilely used in the control of many special effects which in the presently preferred embodiment is the simulation of earthquakes sensations.
FIG. 3 is a simplified block diagram of a typical and conventional optical soundtrack audio system which has been modified to include the special effects control system of the present invention. Typically, such a theater system includes the right and left projectors 12 and 14 respectively, with conventional optical soundtrack sensors 26 and 28 which produce right and left sound signals on lines 30 and 32 respectively. The lines 30 and 32 are connected to the switched terminals of a single pole, double throw changeover switch 34 which connects the right or left sound signal to a line 36. As the right and left projectors are alternated for successive film reels, the change over switch 34 is manually activated to switch between the right and left sound signals. Normally, the sound signal on line 36 is connected through a conventional signal path 21 to an input line 40 to the program power amplifiers 18 which amplify the sound signal and applies it through an output line 44 to the theater speaker 19.
To utilize the special effects control system of the present invention, the conventional signal path 21 is interrupted and the sound signal on line 36 is directed to the control unit 22. The program signal may or may not be effected by the control unit 22 and is then connected to the input line 40 to the program power amplifiers 18.
When the effects system of the invention is utilized, the input signal to the control unit 22 includes an additional control sub-channel with two low frequency signals which are detected by the control unit to perform the functions described above. In the presently preferred embodiment of the invention, the control frequencies are at 25 Hz and 35 Hz which are below the normal audio range but still sufficiently high in frequency to be processed by conventional electronic circuitry. The effects generator 24 provides a signal on an input line 50 to the control line 22 and is combined with the program signal on input line 36 to derive an effects signal on an input line 52 to effects power amplifiers 23. The amplified effects signal is applied over a line 56 to one or more effects speakers 20 as described above.
While the optical track system illustrated in FIG. 3 is the most widely used, the magnetic strip film format and projection system is utilized with special theater facilities. In the magnetic stripe system there are four separate sound channels impressed on four magnetic stripes on the film. A single channel optical track is ordinarily also utilized to provide redundant sound information for emergency situations when the magnetic sound system is inoperative. A magnetic stripe system utilizing the effects control system of the present invention is illustrated in FIG. 4. In the magnetic strip system, right and left projectors 60 and 62 respectively are also used with the magnetic sensors 64 of the right projector providing four separate program signals on a right program signal bus 68. Similarly, magnetic sensors 70 of the left projector provide four separate program signals on a left program signal bus 72.
Conventionally, the right and left optical sensors 74 and 76 provide redundant single channel audio signals on the lines 78 and 80, respectively. A mode switch 82 permits switching between the program signal buses 68 and 72 and the single channel optical sound signals on lines 78 and 80, to provide signals on the right and the left channel buses 84 and 86, respectively. The right and left sections of the mode switch 82 are mechanically ganged for common manual operation and, when switched to the optical mode, the audio signal on the optical line 78 and 80 are connected to only one of the program signal lines of the right and left channel buses 84 and 86 respectively.
To provide switching between the right and left projectors as film reels are changed, a change-over switch 88 is provided which connects the right or left channel buses 84 and 86, respectively to a signal bus 90. The bus 90 is connected through a conventional signal path 92 to an input 94 of a plurality of program power amplifiers 96 represented by the double amplifier symbol which are connected through an output bus 98 to a plurality of theater speakers 19 also represented by the double speaker symbol.
To utilize the effects system of the present invention in the magnetic stripe system illustrated in FIG. 4, the conventional signal path 92 is again interrupted and the bus 90 is connected as an input to a control unit 100. In the magnetic stripe system, the optical tracks are utilized to carry the control signals so the optical track signals on lines 78 and 80 are also connected via lines 102 and 104 as inputs to the control unit 100. Again, a signal from the effects generator 24 is connected via input line 106 to the control unit.
The control unit 100 detects and processes the control signals on the optical track, as was described above, to selectively modify the gain of the program signals on the bus 90 which are then connected as outputs from the control unit 100 to the power amplifier input bus 94. A portion of the program signals is also combined with the output of the effects generator 24 into an effects signal which is applied to a line 108 to the power amplifiers 23 which is connected to the effects speaker 20 through the output line 56, as was described above with reference to FIG. 3.
More detailed diagrams of the interconnections between the normal program signals and the control unit for the optical track system and the magnetic stripe system are shown in FIGS. 5 and 6 respectively. Since the control signal processing is the same in both cases, the control system block diagram is shown with a dotted control electronics block 110 in each figure. All of the control electronics in block 110 is of conventional design. The switching gear for the program signal stepgain function for the alternate system are shown in a dotted optical switching block 112 and a magnetic switching block 114 in FIGS. 5 and 6, respectively. A more detailed diagram of the conventional switching gear typically present in the magnetic stripe system is shown external to the dotted blocks in the FIG. 6.
With reference to FIG. 5, the program signals on the right and left optical signal lines 30 and 32 respectively are connected through the change-over switch 34 to an input to the optical switching block 112. The optical signal is fed to an input line 116 to a conventional level equalizing amplifier 118 which serves as the input to an L-pad attenuator comprising resistors R1 and R2 with the junction of the resistors connected to input line 40 of the program power amplifier 18 illustrated in FIG. 3. The free end of resistor R2 is connected to the normally closed terminal 122 of a single pole-double throw relay 124 whose pole terminal 126 is grounded at 128. The armature coil 130 of the relay 124 has one terminal connected to a source of power (+E) and the other terminal connected to the control electronics block 110 through a line 132, the operation of which will be described below.
The optical signal on line 116 is also connected through an input line 134 to a low-pass filter 135 which is the first stage of processing for the control signals. The amplified optical signal at the output of the amplifier 118 is also connected through a line 136 to a program signal gain control 138 the output of which is connected to a line 140 to a first input to a summing amplifier 142.
Similarly, a signal from the effects generator 24 is connected through line 50 to the input to a gain-control circuit 44 and its output is connected to a second input line 146 of the summing amplifier 142. The output of the summing amplifier is connected through a line 148 to the normally open terminal 150 of a single pole-double throw relay 152 whose pole terminal 154 is connected to an output line 52 to the input of the effects power amplifier 23 as illustrated in FIG. 3. The armature coil 156 of relay 152 has one terminal connected to a source of positive potential (+E) and the other terminal connected to a logic control signal to be described below. The output of the summing amplifier 142 is a composite program and effects signal which is variable in the manner discussed above with reference to FIG. 2.
The optical signal on input line 134 to low-pass filter 135 includes both the program signal and the control signals and the low-pass filter 135 permits only the control signals to be connected through a line 158 to the inputs of 25 hertz and 35 hertz band pass filters 160 and 162, respectively. The 25 hertz and 35 hertz signals appearing at the output lines 164 and 166 of the band pass filters 160 and 162, respectively, are inputs to a pair of level detectors 168 and 170 which produce analog signal levels on lines 172 and 174, respectively, which correspond to the average signal level of the control signals.
The analog control signals on lines 172 and 174 are connected through lines 176 and 178 to the control signal inputs of the gain-controls 138 and 144, respectively. The analog signal levels on line 172 and 174 are also connected as inputs to comparators 180 and 182 which compare the input signals with fixed threshold levels to produce digital control signals A and B at their output lines 184 and 186, respectively. The digital control signals A and B on lines 184 and 186 are logically combined in an AND gate 188 to produce a further logic control signal (A·B) which is connected through line 132 to the relay 124 which controls the L-pad attenuators for the program signals. The digital control signals A and B on lines 184 and 186 respectively are also logically combined in an OR gate 190 to produce a further logic control signal (A+B) which is applied to the terminal 192 of the armature winding of relay 152 which connects the composite effects signal to the effects amplifier 23.
Referring now to FIG. 6, the control electronics in block 110 remains the same as for the optical track system illustrated in FIG. 5. The magnetic stripe switching block 114 includes four level-equalizing amplifiers 194 with their input taken from the channel signal bus 90 and their outputs feeding four L-pad attenuators comprising resistors R1 and R2 for each channel. The output of the center channel signal is connected through line 136 to the input of the gain-control 138 for the program signal.
The outputs of the L-pads are connected through the bus 94 to the program power amplifiers 96 and is described above with reference to FIG. 4. The free-ends of resistors R2 of the L-pad attenuators are connected to the normally closed terminals 196 of a four pole double throw relay 197 whose pole terminals 198 are grounded at 200. One terminal of the armature coil 202 of relay 197 is connected to a source of positive potential (+E) and the other terminal is connected through line 132 to the output of AND gate 188 which controls the step-gain function in the program channel as described above.
In the magnetic stripe system, the redundant optical track producing signals on lines 78 and 80 are connected through lines 102 and 104 as described above to the contact terminals 204 and 206 of a single pole double throw relay 208 whose pole terminal 210 connects the right or left optical track signal through line 134 to the input of the low-pass filter 135. The armature winding 212 of the relay 208 has one terminal connected to a souce of positive potential (+E) while the other terminal is connected through a line 214 through the change-over switch control line 216, the operation of which will be described below.
The right and left magnetic program buses 68 and 72 respectively are connected to normally closed terminals of four pole double throw right and left sections of a mode relay 218 with the right and left sections being mechanically ganged for common operation through an armature winding 220. The winding 220 has one terminal connected to a source of positive potential (+E) while the opposite terminal is connected through a line 222 to one side of a single pole-double throw mode switch 224 whose pole terminal 226 is grounded at 228. When the switch 224 is normally open to line 222, the magnetic program signals on the buses 68 and 72 are connected through the relay 218 to the right and left signal buses 84 and 86, respectively.
The right and left program signal buses 84 and 86, respectively, are connected to opposite terminals of a four pole double throw change-over relay 230 whose pole terminals are connected to the channel signal bus 90. An armature winding 232 of the relay 230 has one terminal connected to a source of positive potential (+E) and its other terminal connected through line 216 to one side of a single pole double throw change-over switch 234. The pole terminal 236 of switch 234 is connected to ground at 238. It can be seen that when the change-over switch 234 connects the line 216 to ground, the change-over relay is activated to switch the channel bus 90 to the left signal bus 86 and also operates the relay 208 to connect the left optical tract signal line 104 to the input line 134 to the low-pass filter 135.
In utilizing the optical track system form of the present invention, the format of the recorded optical track must be changed slightly in order to prevent inadvertent generation of control signal frequencies such as when the optical track is opened from the closed bias line to accommodate a recorded signal as illustrated in FIG. 8. Typically, the opening time constant takes approximately 28 milliseconds but, it has been found that this time constant produces a fundamental frequency in the control frequency range. The opening time constant has therefore been increased in the presently preferred embodiment to 40 milliseconds as illustrated in FIG. 8. This places the fundamental frequencies generated by opening the optical track to well below the control frequency.
In addition, it has been found that when the optical sound track is modulated to or beyond 100% during certain audio passages, the optical track may be at full open during the periods of overmodulation preventing the further addition of the control signals onto the track. For this reason, the full range excursion of the program audio signal in the optical track has been decreased by two decibels to provide a guard-band 242 on either side of the optical track upon which the control signals may be superimposed.
The conventional optical track recording circuitry is modified somewhat, as illustrated in FIG. 7, in that the program signal on a line 224 is applied first to a conventional high pass filter 246 which insures that the recorded program signal does not contain any components at the control signal frequencies. The output of the high pass filter 246 on line 248 is applied to a first input of a summing amplifier 249 and a control signal on line 250 is applied to a second input to the summing amplifier. The output of the amplifier 249 on line 251 is an unmodified composite program and control signal which is applied to the control input of a conventionally designed noise reduction circuit 252 which, upon detection of the composite signal, begins a 40 millisecond opening cycle for the optical track. The noise reduction circuit 252 generates a bias signal on a line 253 which is applied to a first input to a recording galvanometer 254.
In order for the noise reduction circuit 252 to open the optical track before the audio signal is applied to the galvanometer 254, the program signal on line 248 is applied to a 30 millisecond delay line 255. The output of the delay line, on line 256, is applied to a conventionally designed clipper 257 to provide the guard-band 242 shown in FIG. 8. The output of the clipper 257, on line 258, is applied to conventional phase correction circuit 259 which compensates for any phase distortion introduced by the high pass filter 246, delay line 255 or clipper 257. The output of the phase correction circuit 259, on line 260, is then applied to a conventional dip filter 261 which blocks any control frequency components which may be generated by the clipping process.
The output of the dip filter 261, on line 262, is applied to a first input to a summing amplifier 263 and the control signals on line 250 are applied to the second input to the amplifier. The output of the amplifier 263, online 264, is the modified composite program and control signal and is applied to the program signal input of the galvanometer 254.
It should be appreciated that the source of the program and control signals, on lines 244 and 250, respectively, of FIG. 7, is conventionally a studio tape recorder and the signals have typically undergone much editing and re-recording in order to achieve a desired final result. In the re-recording process, the portions of the control signals on one magnetic track of a studio recorder may be recorded over numerous times and it has been found that, at the low control frequencies, phase differences between the control signals remaining on the track and those modified can cause undesirable abrupt signal level changes known as "drop outs".
Therefore, the special effects system of the present invention includes a novel re-recording apparatus technique which insures that the phase between the control signals remaining on the track and those which are being recorded over the track remains substantially constant. FIG. 9 is a block diagram illustrating the operation of the novel apparatus.
In editing the program and control signals, a conventional studio recorder 270 with multiple tracks and separate record and playback heads is employed. In the illustrative diagram of FIG. 9, only one program playback head 272 and record head 274 are shown though it should be appreciated that numerous program tracks may be needed. One track is dedicated to the control signals and a control playback head 276 and record head 278 are included as well as an erase head 280 for each track.
Typically, while editing, the recorder is in the playback mode and a record-playback switch 284 is set to the playback position. The switch 284 is interconnected for common operation with the record-playback switch (not shown) in the recorder 270. In using the special effects control system of the invention, the program and control signals from the heads 272 and 276, respectively, are connected through switch 284 to program and control input lines 286 and 288, respectively, of an effects control unit 290 which is the same as control unit 110 of FIG. 5. The program input line 286 is connected to the gain control 138 input line 136 and the control input line 288 is connected to the low pass filter 135 input line 134. An effects signal generator 24 is connected through line 292 to the control unit 290 and program and effects signals on lines 294 and 296, respectively, are connected to a program monitor amplifier 298 and an effects amplifier 300. Output lines 302 and 304 from amplifiers 298 and 300, respectively, are connected to a monitor speaker 306 and an effects speaker 308, respectively.
The effects control unit 290 and associated equipment produce the recorded special effects for the editors and if it is desired to change the control signals, the studio recorder 270 is changed from playback to record for the control signal track. Newly generated control signals on a line 310 are connected both to the control record head 278 and to control input line 288 to the effects control unit 290 so that the results of the new control signals can be monitored. The program record head 274 may also be selectively connected through a line 299 to the program signal source.
The control signals are generated by 25 Hz and 35 Hz phase-locked oscillators 312 and 314 on lines 316 and 318, respectively, are connected to potentiometers 320 and 322 which permit control of the signal levels applied through lines 324 and 326 to inputs to a conventional summing amplifier 328 the output of which is the composite control signal on line 310.
The phase of the phase-locked oscillators 312 and 314 is controlled by the phase of the control signals already on the tape 282. Therefore, when a control signal is partially recorded over in the editing process, the newly recorded signal will substantially be a continuation of the signal remaining on the tape 282.
The recorded control signals are picked up by an advance control playback head 330 just prior to the control track being erased by the erase head 280. The recorded control signals are connected through a line 332 to a conventional adjustable phase shift circuit 334 which permits precise phase matching of the edited control signals. The output of the phase shift circuit 334 is connected through line 336 to conventional 25 Hz and 35 Hz band pass filters 338 and 340, respectively, and the filtered control signals are then connected through lines 342 and 344, to oscillators 312 and 314, respectively. The phase-locked oscillators 312 and 314, may be conventionally designed or a commercial unit such as the Signetics NE560 may be used.
Thus, the special effects, generation and control system of the present invention provides for the simulation of physiological and psychological sensations in a theater audience. In the described presently preferred embodiment, very low frequency pseudorandom noise signals having .Iadd.a combination of .Iaddend.sonic and infrasonic components are electroacoustically coupled to the theater space at a sufficiently high intensity to cause the sensation of an earthquake in an audience without actual physical movement.
The control system of the present invention provides two analog control signals which are also logically combined to provide four function control signals to provide great versatility in controlling special effects. Additionally the control system is compatible with conventional optical track and magnetic stripe film formats. Also, the invention provides an editing technique which maintains the phase relationship of the control signals during re-recording. While a presently preferred embodiment has been described in detail, it should be appreciated that the invention is not to be limited except by the claims.
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|10||*||"Of Sound, Fury and Stevens Tech", New York Times Jul. 20, 1941.|
|11||*||"Profiles", The New Yorker, Mar. 3 and 10, 1956.|
|12||*||"Sensurround" American Cinematographer, Nov. 1974, p. 1312t.|
|13||*||"Sound Control Apparatus for the Theater", Burris-Meyer, JASA, vol. 12, pp. 122-126.|
|14||*||"Sound Control in the Theater Comes of Age", Burris-Meyer, JSMPE, Dec. 1943, pp. 500-504.|
|15||*||"Sound in the Air", J. Stokley, Science News Letter May 17, 1941, pp. 314-316.|
|16||*||"Sound Recording-From the Musician's Point of View", Stokowski, SMPTE, Feb. 1932, pp. 164-167.|
|17||*||"The Second Sound Show", theater program book from the Stevens Theater, Stevens Institute of Technology, Apr. 17, 1941.|
|18||*||"The Ultimate Amplifier", Cook & Jose, High Fidelity, Dec. 1954.|
|19||*||"Theatrical Uses of the Remade Voice, Subsonics and Reverberation Control", Burris-Meyer, JASA vol. 13, No. 1, pp. 16-19, Jul. 1941.|
|20||*||"Thunder Screen for the Stage Imitates Gunfire or Crash", Popular Mechanics, pp. 556-557, Oct. 1940.|
|21||*||Concise Dictionary of Physics Pergamon Press, first edition, p. 300.|
|22||*||Encyclopedia Dictionary of Electronics and Nuclear Engineering Prentice-Hall, 1959, p. 631.|
|23||*||Hearing and Deafness, Davis & Silverman, Holt, Rinehart and Winston, Inc., 1960, pp. 44-47.|
|24||*||IEEE Standard Dictionary of Electrical and Electronic Terms Wiley-Interscience, Second Edition, p. 331.|
|25||*||Record jacket of recording titled "Out of This World", Cook Laboratories, Stanford, Conn., 1954.|
|26||*||Sound A Physical Text Book, E. G. Richardson, Longmans Green & Co. 1927.|
|27||*||Sound in the Theater, Burris-Meyer and Malbry, Radio Magazines Inc., 1959.|
|28||*||The Acoustics of Buildings, Davis & Kaye, G. Bell and Sons 1927, pp. 34-35.|
|29||*||The Encyclopedia of Physics, Van Nostrand Reinhold 1974, p. 18.|
|30||*||The New Acoustics, McLachlan, Oxford University Press 1936, pp. 6-7.|
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|Citing Patent||Filing date||Publication date||Applicant||Title|
|US5026152 *||Feb 15, 1989||Jun 25, 1991||Sharkey Steven D||Enhanced cinema system|
|US5583962 *||Jan 8, 1992||Dec 10, 1996||Dolby Laboratories Licensing Corporation||Encoder/decoder for multidimensional sound fields|
|US5633981 *||Jun 7, 1995||May 27, 1997||Dolby Laboratories Licensing Corporation||Method and apparatus for adjusting dynamic range and gain in an encoder/decoder for multidimensional sound fields|
|US6862429 *||Jan 26, 2001||Mar 1, 2005||Edward Efron||Audio production, satellite uplink and radio broadcast studio|
|US7725203 *||Jun 8, 2006||May 25, 2010||Robert Alan Richards||Enhancing perceptions of the sensory content of audio and audio-visual media|
|US20030008627 *||Jan 26, 2001||Jan 9, 2003||Edward Efron||Audio production, satellite uplink and radio broadcast studio|
|US20060281403 *||Jun 8, 2006||Dec 14, 2006||Richards Robert A||Enhancing perceptions of the sensory content of audio and audio-visual media|
|US20110172793 *||May 24, 2010||Jul 14, 2011||Robert Alan Richards||Enhancing perceptions of the sensory content of audio and audio-visual media|
|U.S. Classification||352/5, 352/92, 352/25, 352/85, 352/7, 352/10, 381/61, 352/6, 352/40|
|International Classification||G03B29/00, A63J99/00, A63J25/00|
|Cooperative Classification||G03B29/00, A63J25/00|
|European Classification||G03B29/00, A63J25/00|