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|Someone said that the art of acting is relaxing. Of course this basic principle can |
be applied to all the arts, but an actor especially must have restraint andaninner
containment. ... The basic essential of a great actor is that he loves himself ...
|Bette Davis 1908-1989, American actress and producer said: The real actor has |
a direct line to the collective heart. ... 1889-1977, British Comic Actor, Filmmaker
said: The basic essential of a great actor is that he loves himself in acting.
|Joseph Conrad 1857–1924 Polish-born English novelist: Nostromo (1904) 8 You |
have sat too long here for any good you ... Jean Nathan The Theatre in the Fifties
(1953) The basic essential of a great actor is that he loves himself in acting.
|Carrey, Jim The most difficult character in comedy is that of the fool, and he must |
be no simpleton that plays that part. - Cervantes, Miguel De The basic essential
of a great actor is that he loves himself in acting. - Chaplin, Charlie Actors search
|Barbara Bush 1925– : in Washington Post 2 June 1990 Acting Acting see also |
cinema, theatre see also cinema, ... The Solid Gold Cadillac(1953); spoken by
Josephine Hull The basic essential ofa great actor is that he loves himself in
|2 For an actress to be a success, she must have the face of Venus, the brains of a |
Minerva, the grace of Terpsichore, the memory of a Macaulay, the figure of Juno,
and ... 10 The basic essential of a great actor is that he loves himself in acting.
|'He has no sense of humour, particularly about himself.' 1 All I need to make a |
comedy is a park, a policeman and a pretty girl. My Autobiography, ch. 10 (1964)
2 The basic essential of a great actor is that he loves himself in acting. Ibid., ch.
|Chaplin, Charlie The basic essential of a great actor is that he loves himself in |
acting. - Chaplin, Charlie The saddest thing I can imagine is to get used to luxury.
- Chaplin, Charlie Movies are a fad. Audiences really want to see live actors on a
|The Essential History of Acting from Classical Times to the Present Day Jean |
Benedetti. respond ... Spontaneity and discipline are the basic aspects of an
actor's work and they require a methodical key. ... He offered instead a set of
principles. These were very similar to Stanislavski's dictum: love the art in
yourself, not yourself in art. ... developed so that the actor could physically, even
facially, transform himself from within, without the artificial aid of elaborate
costume and make-up.
|When an acting teacher insists that his pupil play "himself," he is automatically |
provoking all kinds of conscious and ... Telling a young man in a love scene that
he must play it as himself, with all his adolescent shyness, inexperience, and
acne, will doom ... disorganization, and imprecision, so too is much bad acting
the result of being too close to the actor's everyday self, ... In other words,
character acting (which Stanislavski himself considered essential to all good
acting) needs to be ...